The great thing about this track is it successfully melds dub techno with vocals at a great pace. It also has the quality, like all of Moritz von Osvald’s productions, of being able to make time stand still. Such a track is like “The Illustrated Man”, an infinite aural oracle within which are multitudes, and Paul St. Hilaire’s vocals suit these sombre voyages so well. A piece of dub perfection whose predictability is an illusion.
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