TTC001 - TheTreeCanopy 19/2/19

TTC001 - TheTreeCanopy 19/2/19

Popjes – The Conservatives (Viewlexx)

Seed – Joy O (Hinge Finger)

Speaker Worshipping – Keith Tucker (Puzzlebox)

Trade Craft – Silicon (Vmax)

PLY Alpha Base – Derek Carr (Ferox)

The Meaning – Ron Trent (Prescription)

Mount Ararat – Rhadoo (Nervmusic)

Solstice – Disk (Whiteloops)

Hypnotic Rhythm – DJ Sense (Casa del Soul)

Substance 01 – Bobby O’Donnell (E Numbers)

Hardcore Dancing – Michelle (My Own Jupiter)

Brothers – Housey Doingz (Grass Green)

Waescgerei – Binh (Time Passages)

Hexaline (Hiroshi Watanabe Remix) – Beroshima (Muller Records)

Stardust – J (YYK No Label)

Wingspan – Camelia (Joule Imprint)

Equanimity – RV800 (Formula)

Taking Flight – Voiski (Dolly)

Home Calling – Moreon & Baffa (Berg Audio)

I’ll Be Back, I Promise – Gary Martin (Teknotika)

Not A Festival Track (Basement Mix) – Dominic Cappello (Verdant)

Burn The Elastic – Violet (Radio Rhythm)

DSK-8 – Stephen Lopkin (Distant Worlds)

Vaxma – VC-118A (Delsin)

Venus In Spurs – Convextion (a.r.t.less)

Pacific Soul – Papeete Sun (Voodoo Gold)

Finding the time to make mixes is never easy. The environment must be hermetically sealed and an array of supplies must be at one’s fingertips, rather like an acid trip. There are other similarities as well; you never quite know when it is going to end, let alone start.  This one, typically, took one complete practice and two or three false starts. The practice was the week before, and provided a foundation which was then peppered with like minded tracks and one or two curveballs. The false starts went like my unsuccessful driving tests; the cock ups being inexplicable and occurring at hitherto easy transitions. As is clear from the track list, I’ve blended the old with the new in a deliberate attempt to showcase my vast depth of musical knowledge and sonic savvy. It’s a ride based on musical cross- pollination and eclecticism within the narrow confines of deep house, techno and electro which are as elastic as they come. So I’ve listened back to this and am reasonably happy with it. There are some nice moments and good balance. For me a mix is all about symmetry byway of a plaited track selection. Hopefully anyone who listens agrees.

Plastic Time - Luxus Varta (Nocta Numerica)

Title: Plastic Time 

Artist: Luxus Varta

Label: Nocta Numerica

Cat Number: NN013

Genre: Electro

A1: Feline

A2: Unclean

B1: Stilnox (Feat. Paris The Black Fu)

B2: Quark

B3: October

‘Plastic Time’ is a release with a concept; that of ‘Plastic Time’ (look it up). And I can see how the gears shift within varying degrees to accommodate the temporal changes the different tracks strive to represent. Each composition drips with a melancholic ambience draped over an electro skeleton, and it works very well. There’s a lot of variety over the course of this release, with the fuggy groove of ‘Stilnox’ marking a peak of sorts, flanked, as it is, on either side by more active offerings. Whether the order of play is intentional or not, there is a logic to it and listening to this release from start to finish serves to reinforce a wistful, bittersweet atmosphere suggestive of retro futures been and gone. Electro Adam Poe vibes.

Floorplan v Mark Broom EP - Floorplan v Mark Broom (EPM)

Title: Floorplan v Mark Broom EP 

Artist: Floorplan v Mark Broom 

Label: EPM

Cat Number: EPM72

Genre: Techno

1: Never Grow Old (Mark Broom Dubplate Mix) – Floorplan

2: Jungle – Mark Broom

3: He Can Save You (Re-Plant)

I remember buying Robert Hood releases on sight a log time ago. Everything was/is essential and his minimal approach was/is unique. Never had something so hypnotic been created from such few and fragile elements. Symphonic in scope, Hood’s nineties output trumps all comers, Mills included (for me anyway). The two tracks with his stamp on them on this release don’t come close to anything he did around that time, but they still hold their own; morphing a big room approach with an underground sensibility often falls flat due to excess, but works here, particularly on ‘He Can Save You’. Mark Broom’s hand is subtle in his dub plate mix of Hood’s best known more recent floor filler, and on ‘Jungle’ he shows the same restraint, to the benefit of the tune which, while tribal in the true sense, never gets out of hand.

New Visions - Violet (Paraiso)

Title: New Visions

Artist: Violet

Label: Paraiso

Cat Number: PARAISO005

Genre: Techno

A1: New Visions

A2: Kaos V

B1: Junqueira

B2: High In Forest Hill

This here title track is a non-conformist composition which refuses to be tied down, changing direction every so often until it either works, or not. And that’s an indication of where this atmospheric, inventive release is heading. Thriving on the irregular, it feels like the parallel soundtrack to Ken Robinson’s senior academic’s dance, where writhing uncontrollably off the beat is the new norm. A very engrossing listen to be sure, but the jury’s out as to whether these singular tunes will hold the floor at large; not that it really matters.

Keys The Door EP 1 - Ali Berger (FCR)

Title: Keys The Door EP 1 

Artist: Ali Berger

Label: FCR

Cat Number: 12FCR-09

Genre: House

1: Badlands

2: Love In This Box

3:Secrets

4: Sleeves

As an acid aficionado I think I know a good thing when I here it, and I here it here, well on two tracks at least. ‘Badlands’ and ‘Secrets’ mirror each other in that they each occupy opposite ends of the sonic spectrum and show off the subtleties of the hardware to great effect. ‘Love In This Box’ is a lovely piece of floaty, melodic deep house while ‘Sleeves’ jars and thuds like a contradictive, cohesive abstraction. What I like about this release is the, calculated or not, symmetry and harmony it has. Impressive stuff. 

Far & Wide EP - Artefakt (De Stijl)

Title: Far & Wide EP 

Artist: Artefakt

Label: De Stijl

Cat Number: INV024

Genre: Techno

1: Far & Wide

2: Ghost In The Machine

3: Crystal Confessions

4: Levity

I can pay Artefakt no higher compliment than to say that I can imagine seamlessly mixing in ’Acid Eiffel’ to most of their tracks and there’s no decline in ambience. Once ‘crystal Confessions’ gets off the ground we’re in that spacey world of squelchy electronic pulses ripping through the firmament to the accompaniment of chiasmic synths and delicate percussion. The rest of the EP is a reflection of this approach, but is not at all one dimensional, offering different facets on the IDM/techno interface. ‘Levity’ with its tenuous, gossamer break beats, and ‘Far And Wide’ and ‘Ghost In The Machine’ each offering a contrasting approach to the deep, groove-driven stellar throb that characterizes the best emotive techno.

The Ultimate Wave Riding Vehicle EP - Jensen Interceptor (Craigie Knowes)

Title: The Ultimate Wave Riding Vehicle EP 

Artist: Jensen Interceptor

Label: Craigie Knowes 

Cat Number: CKNOWEP14

Genre: Electro

A1: Aqua Lung

A2: Wave Slave

B1: E.L.E.K.T.R.O.

B2: Biometric

Apparently inspired by “old VHS surf tapes that he used to watch while growing up”, this release from Jensen Interceptor on the currently ridIng on the crest of a wave Craigie Knowes adds another level to connection between water and electronica. And whether by accident or design, there’s more than  a mere whiff of Drexciya, and a more overwhelming odour of UR. This is felt throughout the EP. Fluctuating from track to track. The purest electro is to be heard on ‘Wave Slave’ and ‘E.L.E.K.T.R.O.’, with ‘Aqua Lung’ being an accurate homage to classic UR atmospheric up and at ‘em techno and ‘Biometric’ stretching the electro model into a less staccato, more tribal template. All in all, it’s the dog’s.