Monday, November 17, 2014

Favourite Five: Svek


I’d originally intended to write an article about Svek for Ibiza Voice. It’s first incarnation was planned to be a joint piece with another long gone, but influential imprint, Austrian label Grow! However, I soon realized that I wouldn’t be able to do both justice in the space I’d have, so I decided to just write about Svek instead. Things started to slide though and I forgot about it, but then interest was revived when someone on the Svek Facebook page gave me contact details for Stephan Grieder, Svek’s head. I quickly got in touch, but had a portentous feeling as soon as I did. It would have been nice had Stephan agreed to an interview, but he didn’t want to participate, saying:

“Big thanks, but the Svek period is over for me.
Living in Sweden country of Avicii, Swedish House Mafia ect...
I left because of an impossible marketing storm in the music industry for very little quality..
Thank you for support !!”

A pity, but that’s up to him. In any case, instead of an interview, I thought I’d write a little about the label and post up my favourite five from it.

I was doing the vast majority of my record shopping in the mid-nineties in Rough Trade, Paris which, thanks to Ivan Smagghe, Jerome Mestre and later, Arnaud Rebotini, was almost exclusively a house and techno mecca. God knows how much I spent there but let’s say I could have almost had the deposit for a small house over the three years had I not bought anything. Svek was one of many labels I took it upon myself to collect, but it’s resonated more than most over the years. I can’t say why exactly, but probably because it had such a way with a groove that made it hard to forget. Also, in anticipating minimalism a good few years before it dropped, it actually sounded much better than anything which subsequently came out of that genre. The funny thing is that I don’t have the first few releases, ’10 Inch Madness’ by Alexi Delano was the first, so I missed out on the Calico, Ari Jukka and Gene Hunt ones, and still don’t have them. Conversely, I never thought that the deeper house cuts on the label, a lot of which characterized the later output, held a candle to the earlier, dubbier ones. With these, Svek really epitomized what dancefloor-focussed dub techno is really capable of.

 If I’m honest it’s probably because the time I associate with buying these records was one of the happiest periods in my life and those releases which came out after I left Paris don’t evoke anything like the same feeling of nostalgia. They’re still strong though, but one cursory plod through Discogs seems to suggest that it’s the earlier, techier, dubbier stuff which is the most sought-after, and has the highest asking prices.


In no particular order then:


The Persuader Untitled B2 - Jesper Dahlback 

The best known track off this EP and, the one I'm posting, although the rest of the release is very strong. This is simply the most unique piece on the release.


Bon Voyage - Air Frog

The most recent release here, again a unique piece of work. It's all about the bass.


Kaos - Stephan G & The Persuader 

A release which for me typifies the dubby, minimal sound of a lot of early Svek better than anything else. The B Side is great too, replacing the vocal with steel drums, and getting deeper.


Pattern One - The Concealed Project

One of four tracks on this release which come from the mind of Adam Beyer and is a world away from what he is usually associated with. Melancholic, dark and chilling.


Snorkelmannen O Hans Vanner - mr Barth & The Persuader

Kari Lekebusch and Jesper Dahlback team up for some Basic Channel - style grooving rinsed with swathes of poignant ambience.






Sunday, November 16, 2014

November Chart


Drop It Like It’s Hot EP – Murat Tepeli (Potion)



 Spectrum EP – Joey Anderson/Nicuri (Sound Theories)


 The Human Target – June (June)



Head Down Arms Buddha Position – Joey Anderson (Taanstaafl Planets)


 12 X 12 – Kobayashi Maru (Voodoo Down)


 Personal Momentz – Mr G (Phoenix G)


 Raw 7 – DJ Qu (Strength)


 On The Top Of A Deep Hearted Fern – Geena (Antinote)


 Theatre Of A Confused Mind – Population One (Rush Hour)


 Titan’s Cycle 808 Syncs In C Minor – Alex Stark (Titan’s Halo)



Sunday, November 09, 2014

Thee Kaleidoscopic Rebellion: 8/11/14



Here's last night's show for your listening pleasure. A continuous two hour mix. Keep it locked!


Decay Dubb-It Tape – Traxx (Macadam Mambo)
7 Skies – Headnoaks (Black Red)
Catman’s Going To Get You – Marco Berardi (Brokntoys)
Kaos – Stephan G & The Persuader (Svek)
Spanish Hair – Lerosa (Ferox)
Recollection – Bantam Lions (Scenery)
Bell Curve – Annie Errez (Mosaic)
Artifax – Stasis (Syncrofone)
Aerobatics – Leigh Dickson (For Those That Knoe)
Nubian Rainbows – The Sun God (Bio Rhythm)
Night Time Is The Right Time (OB Ignitt Remix) – Drvg Cvltvre (Permanent Vacation)
Egg Buzzer – Russ Gabriel (We Play House)
Let’s Get It On – Marsh & Kally (Mud City)
Freefall – John Barera & Will Martin  (Dolly)
Ode – Tin Man (Absurd)
Steady Mobbin’ – Melja (Mr Saturday Night)
Maybe – The Hasbeens (Bordello A Parigi)
For Disco Only 08
Takin’ It Straight – Cori Josias (Lo Fi Edits)
Nipponese – Deetroit (UDR)
Red – Bobby O’Donnell (Strobewax)
Phantom (Seldom Felt Remix) – Skudge (Skudge)
Here To Stay – DJ Bone (Subject Detroit)
Perro – Anthony Naples (The Trilogy Tapes)
Together – Jordan (Lag)
Utilize The Secondary Suspensor – Versalife (Frustrated Funk)

Far Sight – Jeremiah R (Tabernacle)

Tuesday, October 28, 2014

Work It Out EP - B Tracks (Regular Expression)




Title: Work It Out EP
Artist: B-Tracks
Label: Regular Expression
Cat Number: RE001
Genre: House

A1: Work it Out
A2: Meanwhile
B1: Anytime
B2: Downstairs

B-Tracks, aka John Barera & Soren Jahan are adept at blending house and techno in a way which should be obvious, but for most sadly isn’t. the funk and punch being prominent, but with added depth and gravitas. Barera in particular is on something of a roll at the moment, with his and Will Martin’s debut album just having been released on Dolly, but I don’t think there’s a tune on that release as good as the title track from this EP, a breathy, spacey filtered cross-fadered tour-de –force. The other three don’t quite scale its heights, but it's a close run thing.