The dark nights
are drawing in and information overload is simmering nicely. A winter of
discontent awaits; a possible Trump presidency (I honestly don’t know what
Hillary Clinton has done to warrant such bad press. Surely what she may be
capable of is dwarfed by Trump’s narcissistic instability). The old enemy
Russia being talked up again as being aggressive and with its fingers in every
pie, especially the virtual ones. It’s denial of any wrong doing being
something you want to believe, but evidence and policy of disinformation are
characteristic of its current direction. The algorithms are throbbing on the
desk and we can’t see the wood for the trees, which is why there really isn’t
much point in anything else but to be nice to each other while stocks last.
So it’s at times
like this that I like to revisit great evocative moments of the past. I can’t
pinpoint exactly when it was that I first heard Coltrane’s ‘My Favourite
Things’, but it was in the early eighties, and it came courtesy of his
‘Coltraneology Volume One’ which was recorded in Stockholm, 1961. Memories are
foggy regarding whether I was still living at my mum’s, or had already gone to
live at Fort Street in New Brighton, but money was tight and I had started
using Earlston Library for records as well as books. I remember borrowing a copy of ‘Finnegan’s
Wake’, in which various passages were read. Incredible stuff, and much better
than reading it; (I’ve still got a thirty-five year-old copy on my bookshelf
which I’ve barely opened.) It was jazz that I mainly took out though, the
records they had there, mainly comprising what looked like off-cuts from the
ball room music centre of a long dead holiday camp. There were some diamonds in
the rough though, ‘Coltraneology Volume One’ being the most precious.
It’s all about
‘My Favourite Things’ however. There’s a great feeling of the epoch within its
grooves and if a more emotive composition exists then I’ve yet to hear it. I
played this whole album to death, and ‘My Favourite Things’ so much that I
constantly put it at the top of my list of all time picks. I remember listening
to it one morning , with the sun coming up after having stayed up all night on
acid, the traces of the drug starting to ebb away and leaving that lovely
drained feeling to be supplemented by hash. Nothing could have been more
perfect, And to think I first came across the song in a music lesson at
secondary school in a songbook for ‘The Sound Of Music.’
This isn't the version from the album, but it's with the same personnel (I think) and, even though Eric Dolphy's flute sounds screwed, the ambience is still there. Pity it's only ten minutes long though.
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