Thursday, February 24, 2011

Well, Someone Had To Say It . . .


This reminds me of a famous letter of complaint directed against a certain Internet service provider many moons ago for continual imcompetence coupled with dreadful customer service. All controlled incandescent rage but gradually building to a whirring crescendo. Masterful scribery Sir Tony of Frithshire.

Wednesday, February 23, 2011

Ah, Fuggit . . .



Because it's been one of those weeks you see. First up I was all ready to see Steffi, even washed my hair and had a shave. I live in Haverhill and, as we have no babysitters and my other half's clubbing days are far behind her, I set out on my own leaving her to do the babysitting and carry on like a solid citizen. I would roll into bed at about 3:30am smelling of sweat and booze, and awake around five hours later to the sound of kids jumping up and down on me to eke my way blearily through the day. It's half-term in responsible adult land you see. She, on the other hand, would be up and out by 7:30 on her way to her job, which is infinitely superior to mine and which she works very hard at. You get the picture. My excesses are tolerated by a superior being. Anyway, I'd arranged to meet a friend in Cambridge at 9 who I would drink with until 11 or so. I had a +1 on the list and, although house isn't really his thing, I'd have asked him if he wanted to continue our session for maybe the first hour of the gig. With a bit of luck he would have realised what he'd been missing all these years and stayed, no problem if not though. I was there anyway.

So, I'm waiting at the top of my road for the hourly, and frequently unreliable, Haverhill-Cambridge connection. It comes right on time, I'm standing half on the pavement, half on the road with my arm out and the fucker drives right past me. He wasn't even looking. I just stand there with my mouth open, gawping like a complete knob in disbelief, looking around me to see if anyone else has noticed but of course there's no one around. As I try to get my head together my mind is filled with the " . . . don't dash between parked cars . . ." catchphrase of sundry seventies public information films on road safety. A quick dash by anyone in front of that bus would have resulted in certain death from a very long distance. The cock who was driving had his eyes on the prize and it wasn't potential passengers or pedestrians.

So, I know what you're thinking. Why didn't you go anyway? Well, once I'd phoned my friend in a rage, my voice getting higher and higher as I recanted my injustice, I'd got home. He didn't seem interested in meeting me at 10 instead of 9 - if he was he didn't say - and it would mean me leaving the house again, getting into Cambridge but this time being on my own for a good hour before the doors opened. Hanging around pubs for an hour on a Monday night, to go to a club, (a pub upstairs actually), where I wasn't sure there'd be anyone I knew (which there was, but of course I wasn't to know that), isn't my cup of tea at all. In any case I was as mad as hell and I wasn't in the mood to take anything any more.

So, pausing for reflection in the cold light of day, I was completely and utterly pissed off, and I should have gone, but didn't. It's my fault but I'm still mad. Why? Because after not having recorded a mix since last May, I finally found the time to get one together today.Why haven't I recorded a mix for such a long time? Well, having kids doesn't help, but it's mainly because in my real downtime, the time I could really be using to play stuff I like and get to know it better, I'm crushed under the promo juggernaut. Don't get me wrong; I'm extremely grateful for everything everybody sends me. No one was more pleased than I was when the free music started rolling in when I started my now-deceased radio show in September 2004 and I'm still really happy to receive it now. Indeed, one of my main goals was to get enough freebies so that I'd never have to buy anymore music ever again, but it doesn't quite work like that, and before you know it you've got an inbox full of stuff that you feel obliged to listen to, you want to listen to, but it's all so predictable. You can tell before you've gone within sniffing distance whether it's good or bad, (thin-slicing). It's also necessary to listen to some tracks much more than once only to give them the full respect they deserve. Two techno albums I was recently sent fall right into that category. They didn't do much for me at all on first listen, but they're growers and I like them now, in fact they're both very good. So I only really like to respond to something once I've downloaded it. Having said that, I realise the value of feedback, which seems to be so valuable that any publicity is indeed good publicity.

I was out of practice anyway. I hadn't done a proper mix for such a long time and they do take some calculating. Having said that, one's best-laid plans often fall away pretty quickly and solid foundations give way to total spontaneity. I was enjoying myself but when I came to save the file the software crashed and that was that. Ninety minutes wasted and I was left with a similar expression on my face to that when the bus sailed past me.

Saturday, February 19, 2011

Miles Sagnia In The Mix


Here's a link to mix from Miles Sagnia done a few nights back on DJ Alex Voices Radio Show on Deepfrequency Radio. It's three hours long and I've yet to listen to it, but the track list looks very interesting so I'm sure it's worth the risk.


1.AS ONE – AMALIA – UBIQUITY
2.JEFF MILLS – ACTUAL (AX-009B2) – AXIS RECORDS
3.JAMES DUNCAN-NIGHT TRACKS – LE SYSTEME RECORDS
...4.LARRY HEARD – ROMANTIC SWAY – ALLEVIATED/MECCA
5.SOHO – HOT MUSIC – NOT ON LABEL
6.GADGETS – STRING TONIC II – USER
7.LARRY HEARD – CLOSER (THE DEEP DOWN BASEMENT MIX) - MCA
8.DRAIN PIPE – LOW LIFE – DRIFTWOOD
9.JEREMY – WHERE THE HEART IS – DRIFTWOOD
10. CASSIO – BABY LOVE (MUZIQUE TROPIQUE'S LOVE THE BASS REMIX)-GLASGOW UNDERGROUND
11. MARK E – SCARED – JISCOMUSIC
12. BLAK BEAT NIKS – CHANGES (STUDIO 21 INSTRUMENTAL) – PAN
13. AQUA BASSINO – SPIRITS WITH JIWE – F COMMUNICATIONS
14. IAN SIMMONDS-RETURN TO X (THE MANTA SPACE MIX) - !K7
15. 7-HURTZ – 7-HURTZ THEME – OUTPUT
16. DBX - BABY JUDY - ACCELERATOR RECORDS
17. BILLY LO – IT'S THE LIFE – UNIVERSAL FREQUENCY MODULATION
18. NEW WORLD AQUARIUM – AVON SPARKLE – NEW WORLD AQUARIUM
19. BITTERSUITE – SQUEEZE IN – ATMOSPHERIC EXISTENCE RECORDINGS
20. MILES SAGNIA – MIAPLACIDUS – ATMOSPHERIC EXISTENCE RECORDINGS
21. URBAN SOUND GALLERY - AFRICAN BLUES – CLAIRAUDIENCE
22. MILES SAGNIA – FACE THE MUSIC – ATMOSPHERIC EXISTENCE RECORDINGS
23. PERRO MAGNETICO – LOSFERATU – MEAN
24. JEFF MILLS – HUMANA – AXIS
25. ROBERT HOOD – MOVEABLE PARTS CHAPTER 1(UNTITLED TRACK) –M-PLANT
26. PAUL MAC – BONUS SHUFFLE (CLOSED ACCOUNT EP) – FRAGMENTED
27. PETER VAN HOESEN – FACE OF SMOKE – KOMISCH
28. THE MARTIAN – ULTRAVIOLET IMAGES – RED PLANET
29. STEVE RACHMAD & PETAR DUNDOV – KUNIGI – MUSIC MAN
30. ANDRES ZACCO – DRAWING CLOUDS – GREENER
31. 65D MAVERICKS – NOOR – RODZ KONEZ
32. ECHOSPACE – PHASE90 RESHAPE – ECHOSPACE
33. DAMON WILD – DOWNTOWN WORLD PT.3 – KANZLERAMT
34. MARCO BERNARDI – I FEEL THE LIES (FT.KEITH TUCKER) – DIRTY PLANET
35. MONOLAKE – MELTING – MONOLAKE
36. MILES SAGNIA –CAN WE HEAL THEM?-ATMOSPHERIC EXISTENCE RECORDINGS
37. B12 – PRACTOPIA – B12 RECORDINGS
38. CONFORCE – THE LAND OF THE HIGHWAY – MEANWHILE SOUNDS
39. ULTRAMARINE – SOURCE (CARL CRAIG REMIXES) – REAL SOON RECORDINGS

Thursday, February 17, 2011

Steffi At The Fountain


In typically low-key style there will be something relatively momentous happening next week that will hopefully fire the ever embryonic Cambridge underground dance music scene with enthusiasm. Steffi, one of the most in-demand house DJs at the moment, will be playing a set in the unlikely surroundings of The Fountain pub on Regent's Street in the centre of Cambridge.. To say I was more than a little gobsmacked when I found this news out would be an understatement, and of course I came across it very randomly while checking my Facebook news feed. I could so easily have missed it and it would then have slipped quietly under the radar never to be seen again, except in hindsight.

Anyway, hats off to the promoters of Friday Club, which is when it should be, but due to Cambridge city centre having a dislike of clubs with adventurous music policies on Fridays and Saturdays the night is taking place on a Monday. I'm off work next week so I'll be going but due to me living a good drive away, and probably having to take a cab home, it's not something I'd be able to do every month. It'd mean a £30 fare and a day of leave on the Tuesday. My student days are long behind me and I've got a family to support so it's very frustrating to realise that this could be the start of something big. I've just seen that the March night is on the 14th and features Elgato and John Roberts. Well pissed off, but in a good way.

Steffi's debut album 'Yours And Mine' has just been released on Ostgut Ton. It's a fine, accomplished piece of work that wears its influences proudly on its sleeve. A DJ first and foremost, Steffi's taste and instinct have obviously been shaped by where she plays, particularly Berlin's Panorama Bar, where she has been resident for the past five years. She's also a label boss too, for Klakson and Dolly, which has been the focus of most of her recent talent spotting. She's someone who most definitely knows their onions in a variety of fields, (see what I did there?) and is a current must-see. She'll have vocalist Virginia in tow with her which should give her set an interesting, extra dimension. Lets hope she gets the reception she deserves this Monday.

Here's a link to a recent mix and interview from Steffi. Here's her Mnml Ssgs Labyrinth special from September last year, and one to a huge night with Sissi and Ben Klock from January 2009. There's a few more around if you can be arsed.

Sunday, February 13, 2011

February Chart

Here we go:



Workshop 12 - Kassem Mosse (Workshop)



Horizontal Ground 8 - Szare (Horizontal Ground)



Mind On You - Kate Simko (Hello Repeat?)



Who Made Up The Rules LP - Agaric (Ovum)



Do Ur Math - Queen Atom/Cesare Vs Disorder (Dumb Unit)



Satori - Laszlo (Lydian Label)



Tribute EP - Gemini (Robsoul)



Clapz ll Dogz EP - Clapz ll Dogz (Glass Table)



Hi-Tech Booty Remix EP - Ahmet Sisman (Slash)



Plangent 001 - Recondite (Unknown Label)

Saturday, February 12, 2011

Revisited Two - Octave One (430 West)



Blog posts have been rare of late. I'm not fed up with it, just haven't had a moment free. Some posts are imminent but I'm super busy right now. Anyway, here's a review that I wrote for the new Octave One remix release, 'Revisited Two.' I submitted this to RA about two weeks ago but it's taken them a while to get it up. No doubt it's because it kept their editors up most nights wondering how to cut as much of the original gibberish I wrote from it.

Friday, February 04, 2011

Emmanuelle's Party Bucket - Death On The Balcony (Fullbarr Digital)

Read my review for Ibiza Voice of 'Emmanuelle's Party Bucket' here.

I've been without the Internet since Tuesday, so things are moving very slowly indeed 'round these parts.

Tuesday, February 01, 2011

Octave One - I Believe (Transmat)







I'm just about to write a review for RA of Octave One's 'Revisited 2' which features remixes of two of their best tracks. A Sandwell District interpretation of 'I Believe' and Aril Brikha's reworkorking of 'Daystar Rising.' Here's some bits that I've been busy reacquainting myself with.

Thursday, January 27, 2011

To Sum Up . . .





This isn't a football blog, so hopefully this will draw a line under the matter. The initial subject of Keys' and Gray's grief, linesman/woman/person Sian Massey would have been welcome again, as far as Liverpool are concerned, last night. Her excellent call on Saturday for Torres' and Liverpool's first against Wolves was again put into perspective by the linesman's mistake in last night's match in not seeing Torres level with the last Fulham defender when perfectly timing his run. Check out the clips above and make up your own minds. The disallowed goal v Fulham is just over 5 minutes in.

Wednesday, January 26, 2011

Quelled By The Man


If you're a UK resident, you may well be aware of the Andy Gray/Richard Keys debacle. They are both now ex-Sky Sports Football presenters. Gray had been with the channel since it started broadcasting Premier League Football in 1992, Keys came along later. Anyway, they are both hugely experienced pundits who recently lost their jobs due to having made some sexist comments regarding a female linesman off-air, before the recent Wolves/Liverpool match, the gist of which was that women can't do the job as they have a genetic impairment regarding the offside rule. Of course, once this news got out it didn't take long for other slights to be made against them. Gray was sacked yesterday when footage from last months' Sky Christmas special came to light with him jokingly asking a female colleague to help him tuck a microphone down his trousers. Keys resigned today.

Whatever your opinions on football, sexism and the very juvenile behaviour from two grown men in their fifties, should they have been hung out to try because of it? I'm not sure. I don't subscribe to Sky, the Rupert Murdoch connection, (Murdoch, who owns Sky, is also head of News International against whom Gray is currently bringing an action concerned with having had his phone tapped), is enough to put me off, but I really don't like the suffocating atmosphere of political correctness that is currently enveloping our society. I'm not condoning this behaviour at all, on the contrary, it's misogynistic and had they been berating a racial minority there would have been a much bigger outcry, but after having apologised did they really deserve their fate?

Maybe I'm just a typical Libra, wanting to see all sides and weigh things up far too much, incapable of making a decision one way or the other. Anyway, one thing I know I hate is political correctness, and to make a tenous link, it's more than infiltrated dance music culture which, as far as I'm concerned, doesn't rely as much on narcotics and stimulants as it should. I jest of course. The problem is I think a lack of honesty and imagination. Ricky Villalobos is the only person I've seen making drug references in an interview recently (in Philip Sherburne's Wire piece a while back) but try as I might I can't see much more.

I'm not calling for the return of the days when drugs dominated dance music, when buying Mixmag meant that the central article was one that pitted twenty different pills against each other to see which one was the purest, and I'm well aware that loads of punters still go to clubs battered and loaded in spite of being subjected to rigorous body searches before being charged astronomically for the privilege of being hedonistically anaesthetised. What I am calling for is leadership from the front. It's certainly not going to come from the Swedish House Mafia, Sven Vath or Richie Hawtin or from anyone else who is far too interested in protecting their career. Someone raw who doesn't give a shit, that's who.

We're certainly living in interesting times. Politically the climate hasn't been better for change since the early eighties. However, back then things soon became emasculated and by the beginning of the nineties were starting to lose their way. This lack of edge was epitomised by the emergence of political correctness as a vector around this time. The emergence of New Labour as the governing party of the UK, hot on the heels of Bill Clinton's Democrats didn't seem that threatening but both parties had to move so far to the right in order to get into government that they were not what they seemed. It has always seemed odd to me that often the parties of the right, in spite of their conservatism, have embodied more of a hedonistic spirit than those of the left. Of course this is down to certain individuals and was initially visible during the English Civil War, and then the French Revolution. That isn't to say that those on the left were not as susceptible but they were often constrained by civic duty and responsibility. This changed during my lifetime with they advent of punk which, although not quite the revolution it may have seemed at the time, changed artistry forever and spawned endless, interesting reproductions of itself in all creative facets.

But I digress. The creativity and the spontaneity in house, techno and all it's cousins is still there and will continue to self-replicate, but the forces of advertising and compartmentalisation are strong and will stop at nothing to render it bland. As mentioned before, I don't want to return to the past and sift through the dance music media only to find worthless articles on pill consumption and hypercool "largin' it" sessions. Having said that, I'm bored of seeing shit press shots of boring looking smug twats who do all their shopping at Top Shop or some other equally anodyne outlet and treat their occupation as a lifestyle choice rather than the privileged position it is. I don't really care for the excuse that it's bad for publicity to harbour a hedonistic lifestyle either. As far as I'm concerned, George Michael is currently worth more than every so-called "character" involved in house and techno put together. Crashing his car completely twitted into a local branch of Happy Snaps has raised the bar for everybody and I don't see it being bettered anytime soon.

Oh, and Gray and Keys are a pair of twats. End of . . .

Monday, January 24, 2011

That Hercules & Love Affair Video . . .Again!

Check this from a couple of weeks ago . . .(after the Theo Parrish comments).

And then this. (You'll need to register in order to view).

It seems like I'm not the only one.

Sunday, January 16, 2011

January Chart

This should help keep things ticking over. The usual disorderly mix of albums and singles . . .



Vertigo - Aybee/Sun Of Cycle (Further)




Vesuvio Tremors - Mike Parker (Geophone)




Iftodex C0001/Probe 5 - Roswell Return (SD)



Feed Forward - Sandwell District (Sandwell District)




Flying Objects - STL (Something)




Series ll Revisited - Octave One Remixed By Sandwell District & Aril Brikha (430 West)




Post-Traumatic Son The Ben Klock Mixes - O/V/R (Blueprint)




We Are Beachcoma EP - Beachcoma (Beachcoma)



Love Evolution - Jay Haze (Contexterrior)

Friday, January 14, 2011

Why Theo Parrish Is Wrong

Here's an interesting postscript to the Theo Parrish interview I linked to a couple of days ago, courtesy of Digital DJ Tips.

Tuesday, January 11, 2011

Mark Henning Interview For Ibiza Voice


Here's a link to an interview I recently did with Mark Henning for Ibiza Voice. Here's another to a mix that has recently been posted, although I believe it was recorded earlier in the year - 2010 that is. Check this as well, it's fresh off the laptop for French mag Tsugi.

Monday, January 10, 2011

Why Bother?

We're only into the second week of January 2011 and already another well-respected music figure has chosen to make a knob of himself by sounding off unnecessarily. Well-known vinyl purist and absolutely peerless DJ Theo Parrish just had to reopen that hoary old chestnut, the vinyl vs digital debate. I'm lucky enough to have seen Theo on a couple of occasions, once in support of Moodymann during KDJ's first appearance in London, along with Rick Wilhite, and once at Luke Solomon and Kenny Hawkes' Space at Bar Rumba. As you've probably already realised, each time was well before the dawn of the digital DJing age, CDs barely registered actually. Anyway, Theo was far superior to KDJ, who preferred to mix records badly, (yes, I know mixing has never been that important to him anyway, selection being a much more defining role, but he couldn't even sequence things properly and cued atrociously), and at Space he was brilliant.

In any case, Theo's beef seems to be more about lack of musical knowledge than anything else, but surely this is open to debate too. For example, no matter how bad I think Richie Hawtin's sets have become, I know that he is living it and has done for quite some time now. He may not be as relevant to me as he once was, but he's probably the most innovative DJ on the planet solely because of his willingness to use new technology and to be the first to document it: 'Decks, EFX & 909', 'DE9 l Closer To The Edit' & 'DE9 Transitions' are ample evidence of this and there's almost certainly another on the way.

I agree with almost all of what Theo Parrish says. You've really got to live the music in order to make and perform it. Selection is more important than beatmatching and when running a label, what separates you from corporate output is the fact that being independent means much more quality control and a a willingness to take more risks. I came across this on the RA feed earlier, and was drawn to it only because I thought Theo had said ". . .a vinyl DJ who knows his crate will bum a laptop DJ every time." That's a bit strange I thought, Theo's not gay. Then I listened to the interview, and of course he said "burn"not "bum."The typeface on RA is obviously too subtle for my eyes. He's a very earnest and erudite man is Theo, but he's wrong and he's reactionary too. It's such a fatuous debate I really wonder why we're having it.

Link to Theo interview here.

While we're on a nostalgia trip, I rather like this video for the new Hercules & Love Affair release 'My House.'It's just like an old episode of
The Hitman & Her, which can't be bad. I remember a particular episode viewed in time-honoured fashion at about 4 on a Sunday morning at Lancaster House on Sussex University campus, high on LSD25, myself and the irishman tumbling into the lounge, which was empty except for a young Michael Ryan lookalike in full fatigues, replica gun and crate of lager. It wasn't the drugs, but they did work.

Tuesday, January 04, 2011

Podcast Explosion


Here's a few I forgot, and they're all podcasts. A lot has been made on certain blogs about the over-availability of podcasts. Well it's all about supply and demand innit? It's stating the absolute bleeding obvious to say that there are loads of shit ones. By the same token there are also loads of good ones. The previous post listed some of those that have appeared recently. Here are a few I forgot.

Responsible for arguably the podcast I listened to most during the latter third of 2010, 2011 finds Lee Foss once again on cracking form. This is a podcast he produced for Newcastle night Jaunt, to coincide with a night he played there in December. It's as good as the Ibiza Voice one that saw the light of day in August, which is saying something. (The inclusion of Dopplereffekt's 'Sterilisation' being a particular high moment). Foss was also responsible for the first of the Hot Natured series of podcasts, a series that is whetting the appetite as I type. You can find that one here.

Here's a link to an interview I did with Lee just over a year ago.

Responsible for, in my humble opinion, the pick of the Promo Mix series so far with his New Beat inspired set, Peter Van Hoesen comes correct once more with this contribution to the excellent, but sadly not that common anymore, (due, no doubt, to the artists in question not wanting to have their mixes released for clandestine or contractual obligations), Bunker NYC series. This is another lengthy session and once more shows PVH in New Beat guise. It's a treat so get on it.

Last, but by no means least, is Tevo Howard and his contribution to the Clubberia series. Howard shows a clean pair of heels to most house pretenders with a wide and varied selection that has more mood swings than an Italian schizophrenic. He was also behind one of my favourite mixes from last year, this effort from the Roof FM series. If you missed it, grabbit now.

Sunday, January 02, 2011

New Years Honours


Nearly back into the swing of things, so here are a few links to some mixes I've been enjoying over the past few days. The first two featured as RA's "mix of the day" on their feed. Here's one by Italian neo, trance primitive Dino Sabatini. It is actually one of the Prologue podcast series and is a good introduction to the sound that the label has been peddling for the past year or two. It shows how interesting dub techno has the potential to be if it's given are pair of balls and a little bit of energy. I think Samuel Beckett described the protagonists of one of his books as permanently "wading waist-deep through an ocean of mud." That, for me at least, is an image that I associate with the worse of dub techno.

The second is this, (unavailable to download unless you know the capabilities of this site), from Maya Jane Coles. Don't let the fact that it's a Defective podcast put you off. It's a very nice, deep ride from the lady who recently brought us the 'Hummingbird EP' on Hypercolour, and sundry other joints on the Dogmatik label. Very nice indeed.

I came across this Rinse FM podcast the other day, which is a back-to-back session involving Kyle Hall and Floating Points. It's a storming, spontaneous meeting of minds. Rinse FM, if you didn't already know, really is the underground music success story of the British airwaves in recent times. Concentrating mainly on dubstep, UK funky, garage, etc, its site is a mine of must-have sets. Podcasts are churned out on an industrial level and there are plenty to explore. It's the sound of legit UK pirate radio.

Eric Cloutier has been hovering just above the horizon marked "really good DJ that would be better kept secret because going global might spoil him" for quite some time now. A couple of podcasts for Russia's Mixmag.Info recently, as well as a great contribution to the Promo Mix series, in the form of a homage to Berlin's Globus have kept him nicely in the picture during the last few months. Here's his most recent contribution to keeping the podcast flame alive, for Musik Aus Strom, former episodes including contributions from Forward Straegy Group's Patrick Walker and Smear (who is, in fact, Patrick Walker).

Friday, December 31, 2010

There's Always Time For One More



Apart from anything else, Christmas and the New Year always serves to highlight death. I don't think I'm being particularly morbid. Obviously news is slow so stuff that may have been otherwise shelved gets more of a look-in than normal. Having said that, the tsunami of 2004 broke al records for bad news over the festive season. Anyway, James Brown left us on Christmas day in 2006, and this year, either side of the 25th, we had Teena Marie and Bobby Farrell. Although by far the most artistically credible I can't just reinvent myself as a fan of Teena Marie now she's gone. I knew of her and heard some of her records way back when, I also knew of an association she had with Rick James, and the only way I knew of Rick James was because 'Super Freak' and 'Give It To Me Baby' were played at almost every club I visited, regardless of the crowd, throughout the early/mid eighties. In any case, I confused Teena Marie regularly with Kelly Marie, a Scottish singer who made it big in the eighties, sort of, with a tune 'Feels Like I'm In Love' which I remember mostly because of her dance routine in which she was flanked by two camp black guys who bounced to the beat of trebly synth drums. Takes me back to my primary school days actually, when I was made to absorb the Catechism, (so much so in fact that I can still quote passages from it now), and the answer to the question "What Is God?" . . .the answer of course "God is a living being without a body." Anyway, when I was a young whippersnapper inside the Catholic school system I initially misheard the response as "God is a living bean without a body." Consequently, I used to think that God lived in a tin and breathed tomato sauce.

Bobby Farrell as well. Definitely a hero from my days of Top Of The Pops addiction. I put up some words about Captain Beefheart when he died the other week, and mentioned what an influence he'd been . . .well Boney M, although I deride my girlfriend for having one of their cds in the car, made just as much a mark in their own way, and their centrepiece was Farrell, his gruff, murmur of a voice and his silly, but eminently watchable dance turns. Out of all the artists mentioned here, (except Kelly Marie), although he fronted the least artistically credible group, he gave me just as many musical memories as anyone and they weren't bad by any means so, for that reason, he'll be very sadly missed.

Have a Happy New Year and a great 2011 whoever and wherever you are.

P xxxxx