Saturday, June 27, 2009

Tonight's Broadcast


This week's show will feature fresh goodies from the likes of Burnski, Mirco Violi, Jus' Ed & Nina Kraviz remixed by Levon Vincent and Itokim. The show is dedicated to the memory of Michael Jackson.

The Priory's Sam, who was supposed to be making an appearance this weekend has now been pencilled in for the next show in two weeks time.

Also thanks everybody for making the "Minimal Nation" comp from the last show the most popular one to be run up to now.

Keep it locked.


Machines Are Funky: 7-9pm GMT

105FM in Cambridge

209radio.co.uk globally

Friday, June 19, 2009

In Gent . . . .


Here's an all-too-rare live recording of Matt Styles Djing last weekend in Gent. Matt's main claim to fame is that he's the only person I can think of who's changed his Myspace profile picture fewer times than yours truly.Many thanks to the man himself for letting me host this. Get on it here.

Tuesday, June 16, 2009

Gastronomic Delights 6: Paella


In the spirit of Sonar (I won't be in Barcelona for the first time since 2004 while it's on) here's a little something I tossed off this morning. It's a little longer than usual, so what could be better than paella status. Olivier, I hope this Saturday will see a good one, or is it time for a change?

Where does paella, one of the most famous spanish foods come from? Everyone who hears of paella ( pa-eh-a ) automatically says that it is from Spain.


That answer would only be half right for a real gastronomy expert. It is the typical, rich rice dish from Valencia, located on the east Mediterranean coast of Spain. Even though you can taste this food all over Spain and even world-wide, its true origin is the area of Valencia and Alicante. The region of Valencia and north of the Costa Blanca had and still has an extensive area of rice fields, rich soil which was always generous in producing fresh vegetables and knowledgeable farmers who raised plump chickens and rabbits, Valencia used these quality local products to make paella. Not only this but its coastal situation added its abundance in seafood and shellfish to make up another variation of it. And if we add the use of the flavourable olive oil produced in Spain, we have everything necessary to make whichever paella we choose: meat and vegetable or seafood paella.

But now we must choose the correct utensils to make the paella in. We do not use regular frying pans although it seems that the word is in the valencia language the Castilian translation of frying pan. Pans is a special low border frying pan about 1 1/5 inches deep and has dips in the central part like a golf ball and two rather large handles on each side. Curious, isn´t it? There are paella pans measuring from 7 inches to 1 yard wide and for special occasions for hundreds of people to eat from. The size is very important, having to know the amount of people who will be eating it to be able to choose the correct paella pan.

The traditional, authentic paella propably the most well known spanish rice recipe, is still made nowadays over an open barbecue with kindling wood which, although does not seem to be so important, adds to the correct cooking of the paella.

The Real Paella Recipe

Now that we have learned a little something more about one of our favourite foreign cuisine, I would like to share the Authentic, absolutely TRUE paella recipe.

Ingredients for 4 persons

* 1 medium chicken
* 1 medium rabbit
* 2 medium ripe chopped tomatoes
* 165 grs. wide green bean ( spanish-bachoqueta)
* 130 grs. large white lima beans ( spanish-garrafon)
* 1 level teaspoon of saffron
* 3 cups of spanish rice
* 8 cups of hot water or ( even better chicken broth)
* olive oil ( enough to cover the bottom of the paella pan)
* salt ( to taste)
* 1 level teaspoon of sweet red paprika

First, heat the oil and when it is hot enough, add the rabbit and chicken (lightly salted ) and fry unitl lightly browned. Then add the white and green beans and cook them together with the meat. While they are cooking, make a clearance in the middle of the paella pans and fry the chopped tomatoes until they look a little pasty, quickly adding the paprika, stirring quickly and immediately adding the hot water or broth until it is almost to the top of the paella pans edge.
spanish paella in pan

Cook all the ingredients for about 20 minutes over a high fire and tasting for salt. After 20 minutes we add the rice, distributing it evenly, making sure the rice is covered with liquid. The fire should be fairly high, not interrupting the boil. It takes about 20 minutes for the paella rice to cook. Do not stir the rice once you have added it to the paella pans, just change its position so that the fire gets to all patrs equally. All the broth should be absorbed when finished. Take the paella off the fire and let stand for about 10 minutes covering the top with newspaper. If the rice has been cooked correctly, the rice grains should be loose, not clumped together or having a mushy texture.

For a fantastic table presentation, small wedges of lemon can decorate the border and branches of romero (aromatic herbs) in the middle. Now you are ready to dig into your paella with wooden spoons and eat directly from the paela pans!



In other regions and even in some of the best recipes, you will that peas and peppers are added. These are not authentic ingredients for a true Valencian paella recipe. Happy paella eating!

Here be the tracklist:

Miles Away (Intrusion Sunrise dub) - Linkwood Family (Firecracker)
Erol Peed (Sven's Dust Devil remix) - Sevensol & Bender (Kann)
Utopia - Oscar Barila (Parquet)
Solemn Days - Levon Vincent (Deconstruct)
Bon Melange (Afrilounge remix) - Veitengruber (8-Bit)
Trapped In Dub - Alex Celler (Tuning Spork)
Dirty Lips - Cascabel Gentz (Einmaleins)
Out Of Bound - Santorini (Bond)
Rush - Bruce Ivery (Stillove4music)
Mandaya - Julien Chaptal (Remote Area)
Caedmon Loop - Anthea & Celler (Cecille Numbers)
Doobs - Tom Ellis (Highgrade Digital)
Don't Phonk (Do Not Resist The Beat)
Can I Get?! (Matthias Meyer remix) - Alex Niggemann (Supernature)
Equinox A - Livio & Roby (Desolat)
Punch Bowl - Mark Henning (Clink)
Roudor & Capulet - Shonky (Freak n' Chic)
Gush (Justin Drake's Peace Division remix) - Jonny White (No 19)
Reise Nach Jerusalem - Ruede Hagelstein (Upon You)
Workshop 08 - Kassem Mosse (Workshop)
Acid Bells (Martyn's Dark mix) - Efdemin (Curle)

As ever, done at Castle Corey, Haverhill, Suffolk, UK on two 1210s, two Pioneer CDJ200s an Allen & Heath XOne:32 and recorded onto a Mac Probook using Audacity.

Download your own portion of paella here.

Designed With That In Mind - Leif (Fear Of Flying)


Read my RA review of Leif's 'Designed With That In Mind' here.

Sunday, June 14, 2009

Last Night's Playlist & Rob Hood Comp Question


Here's last night's playlist with Rob Hood comp quessie:

Good Evening (Dirk Leyers remix) - Geiger (Firm)
My Little MIA Master - Ernie (Minuendo)
So What? - Baaz (Quintessentials)
Slow Hands - Fast Tongue (Wolf & Lamb)
It's Now Under - Shenoda (Sonidos)
Galactic Space Bar - Jamie Jones (Crosstown Rebels)
Sharpening Knives - Donk Boys (Siteholder Uncut)
Bring It - Inxec & Matt Tolfrey (Murmur)
Rhythm Of Vision - Robert Hood (M-Plant)
Gerbales - Ben Wijay (Canute)
Bambuhna - John Lagora (Eruptive)
La Alegria - Xpansul & Imek (Apnea)
Semper Eadem - Bloody Mary (Contexterrior)
Burera - EC50 (FVF)
Terp Nil - Deuce (Ostgut Ton)
Kilnik - Scuba (Hot Flush)
Massk - James Ruskin (Blueprint)
Fathoms Deep - Donnacha Costello (Look Long)
Unix - Robert Hood (M-Plant)
Make It Hot - Ican (Ican)

I've also got a couple of copies of the 'Minimal Nation' reissue, released on M-Plant tomorrow. 'Rhythm Of Vision,' 'Unix' and 'Museum' from the previous show all feature on it. Here's the question.

Jeff Mills made three albums in his "Waveform Transmission" series. On which one did Robert Hood collaborate with him?

Answers to corey.paul@209radio.co.uk . Mark your entry "Hood Comp" and make sure you leave all relevant contact details as well as the correct answer. Failing that, leave a comment on this blog, in any comment box between the entry for this playlist, and that of the next in two weeks time. If you choose to do this, don't forget to include your email address too. Good luck!

Friday, June 12, 2009

Tomorrow's Show


We follow up the last show's Dirt Crew comp with the chance to win a couple of copies of Robert Hood's seminal 'Minimal Nation', originally released on Jeff Mills' Axis label 14 or so years ago, now rereleased on Hood's own M-Plant and still sounding as fresh as ever. Of course the competition will be supplemented by some great music, the likes of which I can only begin to hint at, so there'll be new tunage from Jamie Jones, Deuce, Anthea & Celler and The Deepfathers, to name but a few.

The next show will feature a guest mix and interview with The Priory's Sam.

Keep it locked.

Wednesday, June 10, 2009

Mr Hood


On a bit of a go-slow at the moment. Consequently here's an attempt at a Robert Hood article, that is a copy of a letter I received regarding the great man's night at Nitsa this coming Sonar. This weekend I'll be offering a couple of copies of his M-Plant rerelease of his seminal 'Minimal Nation'. He plays Cable in London the night before.

EPM & Phonomonkey present:
Robert Hood’s ‘Minimal Nation’
Launch Party & M-Plant Re-launch Party
Thursday 18th June
00.00– 06.00
15 Euros / Free with Party Invite

Nitsa Club
Carrer Nou de la Rambla 113
Barcelona

Robert Hood (semi live set)
James Ruskin (Blueprint)
Ben Klock (Ostgut Ton)
Detroit Grand Pubahs (Detelefunk)

EPM and Spanish based music store Phonomonkey are joining forces to bring you a special party during this year’s Sonar Music Festival in Barcelona. On 18th June at Nitsa Club we will be celebrating the re-launch of one of the most revered releases in techno ever, Robert Hood’s Minimal Nation. A ground breaking tour de force when it was released in 1994 this Special Edition will see the original tracks remastered and include rare and previously unreleased extras and a bonus mix CD by Robert of material from Minimal Nation and his M-Plant label.

On the night Robert will be playing a rare semi-live set, showcasing unreleased M-Plant material with further DJ support from Ben Klock (Ostgut Ton), Detroit Grand Pubahs (Detelefunk) and James Ruskin who will also be celebrating the re-launch of his label, Blueprint. All DJs will be playing exclusively during Sonar only at this party which will be streamed live on the night by www.awdio.com <http://www.awdio.com> .

Minimal Nation (Special Edition) is released 15th June on M-Plant. The CD includes a bonus mix CD of M-Plant material and will also be available to download for the first time.


Robert’s Hood M-Plant website and logo have also been re-designed and re-branded by Dutch graphic designer Patrick Vogt. The overall design is inspired on the triangular shapes from the M-Plant logo. The triangular is in a way like a sound element from Robert’s music. At first glance these sound elements sound "simple", but because they are put together, in a well thought combination with other sounds, they start to sound sophisticated. Minimalistic sound = minimalistic artwork.

The new M-Plant website, designed by Rob Simons is launched the same day as the album is released.

JUNE – EUROPE RELEASE PARTIES
6: El Jardin, Gijon, Spain
12: Cable, London, England
13: MUV Festival, Florence, Italy
18: M-Plant / EPM / Phonomonkey party @ Sonar, Nitsa, Barcelona, Spain
19: Sarao, Toledo, Spain
20: Shine, Belfast, N. Ireland
27: Kozzmozz, Gent, Belgium

JULY – USA RELEASE PARTIES
3: Planetary Series, Compression, LA
4: Water Taxi, New York
10: The Works, Detroit

Thursday, June 04, 2009

Magnetic Field EP - Giorgio Gigli (Prologue)


Read my RA review of Giogio Gigli's "Magnetic Field EP" here.

High Horse

I was forwarded this link to the High Horse blog, from which you can subscribe to their podcast. Tracklists look decent, and they provided a mix for FACT Magazine's podcast recently too. Check it out.

Sunday, May 31, 2009

Last Night's Playlist And Competition Question


Last night's playlist for your delectation


Ooohhh! (Dubbyman remix) - Kai Alce (Deep Explorer)
Divine Being - Tony Lionni (Mule Musiq)
Tubular (Lauhaus remix) - Geddes & Alex Jones (Murmur)
Delirium Tremens 9Goldwill's Dementia Clemens remix) - Andomat 3000 feat F.L.O. (Einmaleins)
Adaptation - Butane (Crosstown Rebels)
Sketches (Kenny Larkin version) - Shlomi Aber & Kenny Larkin (Be As One)
Parade - Dirt Crew (Moodmusic)
Make It My Memory (Alex Jones & Julien's "vocal-off" edit) - Jozif (Hypercolour Digital)
Inessa - Marek Hemmann (Freude-am-Tanzen)
The Afterlife - DJ Rolando (Saved)
Summer Breeze - Mark du Mosch (SD Recordings)
Museum - Robert Hood (M-Plant)
Daddy Said That - Rossella (Cyclical Tracks)
Strain 4 - DJ Bone (Bastardo Electrico)
Variance (Marcel Dettmann edit) - N/A (Sandwell District)
Temporary Suspension - Planetary Assault Systems (Ostgut Ton)
Energy Fields (Quince's Dubbed Out reconstruction) - Taho (Delsin)
The Journey - Norm Talley (Third Ear)

There was also a competition to win a copy of Dirt Crew's forthcoming "Blow" cd, coming out on Moodmusic. Here is the boringly easy question:

What are the names, both real and imagined, of the two Dirt Crew members?

Answers please to corey.paul@209radio.co.uk marked "Dirt Crew Comp" and with all relevant contact details. You can also leave a comment on this blog in any comment box from this entry to that of the next show in two weeks time. If you do this, please remember to include your email address also. Good luck!

Friday, May 29, 2009

Machines Are Funky Tomorrow Night

A show that should be a groover. Lots of techno this week, including Marcel Dettmann on remix duties for Sandwell District, Robert Hood's remastered ground breaking "Minimal Nation," which is about to be reissued next month, Rossella on Cyclical Tracks and something from the recently released Delsin compilation, straight from the world capital of tulips. Add to that loads more and a competition to win a copy of Dirt Crew's forthcoming CD on Moodmusic, you'd be silly not to tune in.

Monday, May 25, 2009

A Further Chat With Kris Wadsworth


I caught up with Kris Wadsworth during his stay in the UK, basking in the reflected glory that only a 4.5/5 RA review can bring . . .

CB: So, it's your first visit over here other than getting deported the last time (September '08). How are you finding it, not too much of a culture shock?

KW: Not too much. I mean you guys drive on the wrong side of the road. I had to pay extra attention to that, but besides that nothing much.

CB: So, are you seeing any big differences in the way people get into the music over here? How different is it playing out here to playing out in the States?

KW: People actually come out to shows here. There's actually people in clubs man. People seem to be that much more into the music and know exactly what it is and what it can be. More people seem to appreciate it here. Of course they do in the States too, but it's few and far between.

CB: Why do you think that is? You're from Detroit, one of electronic music's global hotbeds and the impression you're giving me is that it's hard to get an audience. Would that be correct?

KW: Exactly. Especially in Detroit. You'd think it'd be hyper, but not even much on a small scale. It's very mudane.

CB: What about other places you may have played in the States. Is that pretty much the staus quo?

KW: No. I mean New York . . .a lot of stuff goes on there, Chicago too . . .it depends what's going on like anywhere. Sometimes LA and Miami but Detroit specifically sucks.

CB: I saw that interview you did for Data Transmission, which seems to ruffle a few feathers . . . that interview became a bit infamous because you don't seem to worry about speaking your mind. Is there a downside to this?

KW: I think about it sometimes. If somebody brings something up I try to censor it but if someone brings something up connected to a subject that you feel confident in speaking about, where you're from for example, I'll talk about it and say what I think. But I'm conscious of it, I question it . . .people might think I'm an asshole, crazy, but I don't know.

CB: It's rare that you read anything that questions Detroit in any way though. . . rare that you read anything that's negative. It's also good to read about somebody who's honest and not up their own arse.

KW: Well a lot of people from Detroit are up their own asses' It's one thing to honk your own horn because nobody else will, but another to be anti-social and disruptive with your views about whi you are and what you suposedly contribute to music. It upsets me because coming from a certain locale there's always this stigma . . .for a lot of guys from there and I don't agree with it. I want to make it clear that I like the city, inspirationally it's something to behold. You see a lot of inspiring things, the architecture, the way people look, the way they walk . . . Don't get me wrong, but the scene, a lot of the people involved . . . they're cunts, as you guys say. (laughs)

CB: I try not to (laughs). Let's talk about your forthcoming releases. 'Mainline' has just been released, and I put a few words up about it on this blog, it also had a very good review on Data Transmission. What's coming up next?

KW: I've just signed up an EP to Milton Jackson and Shur-I-Kan's label, Dark Energy. That's exciting. I'm doing a Mark Henning remix for Hypercolour, a track called 'The Right Time.' I've just done a remix of Aaron Carl for Millions Of Moments. I'm due to release a two part EP for them too. Myself and Stefan, who runs MOM, have to decide what's what. The BOE release should be coming out on the 12.6, and another release for Hypercolour plus another for Morris in the fall, but I've just been very busy with remixes, Steve Bug amongst them.

CB: What's your take on the "deep house revival"? Do you feel a part of it and, if so, how do you see your sound fitting into it because I'm sure a lot of people would lump you in with it?

KW: I kind of think that a lot of people labelling it don't know what it is. There's an article in IDJ that asks what the difference is between deep house and techno and for me it's kind of a little less narcotic and more organic. But people can call my music what they want if they feel they need to label it. It's just "dance music" to me.

CB: And how's your back carrying all that vinyl around?

KW: (Laughs) It's alright, but I'm thinking of making the switch to Serato for logistical purposes. Getting on a plane with 130 records and hoping it'll fit in the plane . . it's a pain in the ass but I'm makiing do with vinyl at the moment.

CB: So where are you heading after the UK?

KW: After the UK I'm going to Poland to Lodz, then to Berlin for a couple of weeks, then Switzerland and back home to July.

CB: Are you still playing Free Rotation in August?

KW: Yes. I'm going to come back over at the end of July, beginning of August.

CB: It's been good talking to you Kris. Have a good time while you're over here and speak soon.

KW: Cheers man.

Tuesday, May 19, 2009

Monday, May 18, 2009

Marcel Dettmann Is The Culprit



That's a rather pathetic title, but it's the only one I can think of at the moment so you'll have to make do with it. Here's another couple of mixes for your perusal, well, three actually. The first is a new set from M. Dettmann, along with Kink live, etc, at Munich's Rote Sonne a week or so ago. I haven't ilstened to it yet, and as it's almost eight hours long I've no idea at all where Marcel makes his entrance. I'm sure a substantial portion must belong to him though, so after you've downloaded ffwd to the grimiest techno section on there. One of the things I most like about Mr Dettmann is his way with rough edges. His mixes are raw . . .which is nice.

Here's the link.



A new set also from Dyed Soundorom and Shonky, Freak n' Chic stalwarts, form the top of that posh, ultramodern-looking hotel in LA, you know, the one that also gave us a bit of Simon Baker and Jamie Jones last year. Again, I've just downloaded these so feedback welcome. If they're crap do tell.

Here's the links.

Part 1, Droog and Bas
Part 2 Shonky and Dyed Soundorom


Finally, in view of the fact that I've been asked, very nicely, to take the CVS link below down, here's a link to Get The Curse, a splendid blog from the ancient kingdom of Gaul. Their latest podcast is by the man himself. Sign on for the whole series.

Sunday, May 17, 2009

Last Night's Playlist And CVS Competition Question


Here's last night's playlist:

Mainline (Sei-A remix) - Kris Wadsworth (Hypercolour)
Sandstorm - Ernie (Morris Audio Citysport Ed)
Traffic (Agnes remix) - Gruber & Nurnberg (Bloop)
Alternate - Langenberg (Dessous)
Browse - DPlay (Drumpoet Community)
La Palma - Alex Celler (AreaRemote)
The Mantra - Lee Curtiss (City Fox)

Pete Lever in the Mix:

Stand On The World (Hot Coins remix) - Joubert Singers (Tirk)
Astro Travelling - Andy Ash (Universal Vibes)
The Formula (dub vibes) - 6th Borough Project (Instruments Of Rapture)
Smit Smot - Mock & Toof (M & T)
Don't Go - Justus Kohncke (Kompakt)
Gestures - Toby Tobias (Late Night Audio)
Picnic (Revenge dub) - Red Rack 'Em (Deep Freeze)

Tom Hallmark in the Mix:

Tuc Tuc Tuc - Frivolous (MInibar)
Cracking Up - So Inagawa (Relaxine)
Fleurette (Tobias remix) - D'julz (Circus Company)
Pheromonia - Tom Clarke & Benno Blome (Highgrade)
Kuhle Fliege (Hugo remix) - Matt Star (International Freakshow)

I chatted lugubriously to Pete and Tom during 'Alternate' by Langenberg. I also asked this question.

What is the name of Claude Vonstroke's label, and from which city does it operate?

I have three copies of his Fabric mix for the lucky winners. You can leave a comment in any comment box on this blog, with full contact details please, including email, or email me at corey.paul@209radio.co.uk The competion will be open until the next show, which will be broadcast on the 30.5.09

Good luck!

Friday, May 15, 2009

Machines Are Funky:16.5.09 With Claude Vonstroke Competition



This weekend's show will feature Labour of Love Founder Pete Lever and Tom Hallmark on the decks for a guest mix. Pete will be going down mid tempo street and Tom will be playing his usual selection of ginge house. I'll also have a little chat with them and get around to playing some music myself. There'll also be a competition as I've got three copies of the new Claude Vonstroke Fabric mix to give away. Keep it locked.

Here's a few words about the competition prize.

Title: Fabric 46
Artist: Claude Vonstroke
Label: Fabric
Cat Number: fabric 91p
Genre: New Age Boompty


01. Ekkohaus feat. R. Wurz – Cry Baby / Ekkohaus feat. Mensa – The Healer
02. Claude VonStroke & Bootsy Collins - Yabadabadooza
03. Rob Van Valen – Trampen
04. Holger Zilske – Mes Yeux
05. Detroit Grand Puhbas - Big Onion (Joakim Remix) / Roman Salanger - Galaxius
06. DJ Deeon – Shake It / Isomer Transitions - Downtime in the Hangar
07. Stimming - After Eight
08. Peter Lauer - Free Entry for Girls (Robag Whrume's Drikkibass Remix)
09. Voodeux - Just A Spoonful
10. Italoboyz – Bla Bla Bla
11. Varoslav feat DOP. - Inside Ways (Boris Werner. Remix)
12. Kiki – Immortal (Instrumental Dub)
13. Xpansul & Daweed - Pilsnerd / Marc Houle – Dirty Dirty
14. Dinamoe – Maceo / Clara Moto feat. Mimu – Silently
15. James Braun - Symphonia
16. Donk Boys – One Tooth Missing
17. Robag Whrume - Guppipepitsche
18. ICS – Espagnol
19. Markus Schatz - Running / Catz N' Dogz – SF
20. Marc Miroir - Kraft
21. Stimming - One Weekend
22. Claude VonStroke – Aundy

That's not new age as in tree-hugging hippy bollocks, just as in rebranded. CVS reminds me of Derrick Carter in his approach to the mix, which is as high a compliment as I can pay. He doesn't have the big man's skills, or way with a vocal, and he does rely on a veritable smorgesbord of what's hot and hip at the moment, rather than DC's ability to literally turn shit into gold. Derrick, (I can call him that because I've met him), is the most idiomatic DJ I've ever come across, the literal meanings of the tracks building his sets having a completely different relevance in the mix as opposed to when played alone. CVS isn't quite in the same league, relying a bit more on his funky machines to do the work for him, but, like DC, he's an unashamed party starter. His transitions don't always work as well as they should on this mix, but he's obviously not afraid to take a chance, and I wouldn't be at all surprised to hear that he hadn't even rehearsed parts of this mix. I like the element of surprise when mixing. Keeps things interesting.



Here's a CVS mix released to promote the Fabric cd.


01 Drumming - Marco Carola [Minus: 2m]
02 Pitto - Feelin (Dub) [Rejected]
03 Martinez - Blue Lagoon [Moon Harbour]
04 Ink & Needle - One [Gu]
05 Worthy - Eight Yay Eight [Dirtybird]
06 Maetrik - Show Me [Mothership]
07 Tom Jam - Boom Da (Dub) [Mixhell]
08 This Is What I'm Doing - (Drama Queen Version) [Mothership]
09 Michel De Hey & M.i.r.k.o. - Close To The Beat [Ec]
10 Re - Up [Inside Us]
11 Arb Almub Almoh - Minlogue [Mothership]
12 Pit Spector - Miri [Minibar]
13 Re:direct - Coconut Bob [Terminal M]
14 Mauro Picotto - Living For The Times (Meganight Remix) [Alchemy]
15 Aka Aka - Nightingirl [Still Vor Talent]
16 Brett Johnson - Rubber Duck [Frankie]
17 Heinrichs & Hirtenfellner - Quantum Jump [Highgrade]
18 Feygin - Budva (Slum Dop Remix) [Diynamic]
19 James Braun & Dan M - Lessons [Mothership]
20 John Dalageis - Asio (Harada Remix) [Dieb Audio]
21 Omar Chibbaro - Vistebisti [Trazable]
22 Damian Marley - Jamrock (Vonstroke Sonar Bootleg) [No Label]

Link removed by request from somebody who has the right to request it.

Wednesday, May 13, 2009

Caballo EP - Mirco Violi (Hypercolour Digital)



Seems like bloody ages since the last post, which is probably because it is. Still, I've been keeping myself busy in many secret ways. Here's a review I did of Mirco Violi's 'Caballo EP', on Hypercolour's digital wing for RA.



I've also just finished reading Mark E. Smith's autobiographical "Renegade." Don't be put off by any reviewers that didn't quite get what they bargained for, it's a great and hilarious read.