One of two quite similar remixes that J. Saul Kane did around thirty years ago for The Sabres. This one was released along with a version by The Chemical Brothers and still has what it takes. It’s a wonderful, shuffling behemoth of dubbed out idiosyncrasies which segues seemingly disparate syncopation into one linear voyage of analogue heaviness. An interesting and humorous piece with a life of its own; primarily driven by guitar stabs and a throbbing low end. Unique amongst a sea of pretenders from the man that brought you ‘Han Do Jin’.
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