It could have been almost any of Dana Kelley's output, but this one is notable in that it feels more stripped back and nods, by accident or design, to Basic Channel and Mood ll Swing. That's not to say that it isn't unmistakably DK. The density of production and the feeling that everything is just that little bit distorted and paranormal are the hallmarks of a much missed genius. There's also a melancholia that overshadows everything which is instrumental in grinding against the gears of optimism.
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