Track Of The Day: Abacus - We Cookin' Now (Guidance)

 

So many incredible releases on Guidance. A label that, after the prevalence of Casual and Relief, went even deeper into the Chicago sound. That’s not to say all its artists came from the windy city. Austin Bascom, aka Abacus, is from Toronto and is arguably responsible for more than one of the label’s standout releases. ‘We Cookin’ Now’ is such a track. Immediately plunging the listener into a percussive dream state, it manages to be both deep and intensely visceral at the same time. No easy feat. This is the second track I’ve featured from this EP, ‘Opinion Rated ‘R’’ , was a while back. And aI’d put them all up if it didn’t look more like promotion than good taste. I mean just the chord change alone in this track is worth shelling out for. It comes just before the 3:30 mark.

Track Of Yesterday: Pepe Bradock - Sakura Incident (Avatisme)

Pepe Bradock makes undefinable beats. Sitting somewhere in-between the con Crete and abstract, but more abstract than concrete. ‘Sakura Incident’, is one such track. Dreamlike, but not completely within form, it occupies the headspace that calibrates nostalgia while simultaneously ruminating on the shape of things to come. There are also sonic references to mid 1990s ‘French touch’ productions, specifically the high end activity; the duck-like noises/vocals, and strings (if that’s what they are). All good in a miasmic sort of way.

Dj set @ secret location in Seattle 01112025

 

marcopassarani · Dj set @ secret location in Seattle 01112025

Fear-E - Descent Into Ascension (Snapshots of a Mental State) (Posh End Music Records)

 

Title: Descent Into Ascension (Snapshots Of A Mental State)

Artist: Fear-E

Label: Posh End Music Records

Cat Number: PEMLP02

Genre: Jackin’

A1: Loopy Fiasco

A2: Doom Merchants

B1: Aces High

B2: The OK Express

C1: McCarthy

C2: Escape Room

D1: Ground Control

D2: Otherworldly

As its title suggests, this collection of tracks was recorded while Fear-E was in the throes of depression. “I just turned my phone off for a month and went all in on it. Influence-wise it’s right across the board from French house to Nitzer Ebb” And these influences are apparent immediately. ‘Loopy Fiasco’ is pure Roule and is as uplifting as can be expected, given that it travels at close to the speed of sound. That and ‘McCarthy, a tribute to the late Douglas McCarthy of Nitzer Ebb and a track full of layered insect menace, bookend three other tracks. ‘McCarthy’ sounds like prime ‘Step To Enchantment’ Mills, albeit a little tempered and is, as such, not bad at all. What lies between ranges from the heaviness of both ‘Doom Merchants’ and ‘Aces High’, to the relative airy electro of ‘The OK Express’. That said, the latter still has a lot of heft and is nothing but full-bodied. And going back to the Mills influence, and that of early Robert Hood as well, we’ve got ‘Escape Room’,and ‘Otherworldly’ which are pure Detroit mid-nineties minimalism. ‘Ground Control’ is not an outlier here, having more in common with ‘Doom Merchants’ and ‘Aces High’ than the other tunes, but it soars higher than they do as a result of some cerebral synth stabs. For Fear-E sitting in a studio rearranging his funky entrails and auditory grey matter must have been a therapeutic experience.And this is all good stuff. However, I have no idea what it says about his mental state.

Track Of The Day: Automat - Am Schlachtensee (feat. Blixa Bargeld) (Bureau B)

 

Another one culled from Sean Johnson’s most recent ESB. This one comes in a couple before the EL EF OH edit and is a percolating, teutonic monster. The very essence of next level hell. If Hieronymous Bosch set his paintings to music, then this is one possible soundtrack. It’s midnight creeper, a dystopian heavy breather. Lovely out-of-body chug from Germany.

Track of Yesterday: Julian Cope - Kolly Kibber's Birthday (Mercury)

 

Listening to this brings back all sorts of memories. Mainly those of a vast relationship, the other half of which was a big JC fan. The name comes from a character from Graham Greene’s ‘Brighton Rock’ which was in turn inspired by an English playwright. The track itself is a multi-layered piece of folk-tinged rock in which Cope portrays himself as some sort of renaissance everyman transcending normal life experiences in the process of revealing his innermost desires. Aside from the pretentious claptrap I’ve just felt compelled to write though, it’s a hypnotic excursion.

Track Of The Day/ EL EF OH - el ef oh (Jona's Gleadless Valley Acid edit)

 

This is great, as heard on Sean Johnston’s most recent ALFOS ‘EBS’ Mix. LFO goes chug thanks to one of a series of versions by TELL EDITS. Nothing more to say really, except that it does the business.

Track Of Yesterday: Ollie Drummond - Thwink Tice (Brixton Row)

What I like about this is its pervasive seediness. On the surface it’s a shuffling groover, but there’s an undertow of friction and filth. I don’t know much about Ollie Drummond. However, on the strength of this, which was released at the end of last year, he’s definitely got his finger on that warehouse groove pulse and is one to watch. The chasmic sonic background is also a big plus. There’s. Nothing like getting down in a messy environment with the unsettling sound of low end sirens going off all around you.

GLOK/Timothy Clerkin - Alliance Remixed (Bytes)

 

Title: Alliance Remixed

Artist: GLOK/Timothy Clerkin

Label: Bytes

Cat Number: BYTES33

Genre: Cosmic

01: Empyrean (FROID DUB Remix)

02: AmigA (bdrmm Remix)

03: Nothing Ever (Tom Sharkett Remix)

04: Scattered (Yu Su’s Scattering Cross-Section)

05: The Witching Hour (Richard Sen Remix)

06: E-Theme (Legowelt Rave Filter Remix)

07: Nothing Ever Reprise (Xylitol Remix)

08: AmigA (Timothy Clerkin Jungle Mix)

09: The Empyrean Hour (Timothy Clerkin Mix)

Well worth the wait this. An album full of reinterpretations of 2024’s ‘Alliance’ which, while excellent, was always crying out to move in tangential directions. The FROID DUB remix of ‘Empyrean’ sounds like something the Lost ones would soundtrack their cylindrical wanderings to (Beckett innit). Magnificent 303 squelches like popping, muddy geysers. I’m taking the two ‘AmigA’ mixes together, obviously because they’re drum and bass, or are they jungle? (Paging Amol Rajan). Timothy Clerkin seems to think so. It’s much harsher than the drum and bass from bdrmm, and has a bit more vim and vigour. Both keep the chiming overlay motif, with Clerkin amplifying the chorals and bdrmm taking the sub bass to the bridge. Both great and sufficiently distinct. Tom Sharkett utilises break beats and a singular synth to support the bittersweet vocals of ‘Nothing Ever’. While the ‘Xylitol Remix’ of the same track once more dips the listener in the sheep dip of drum and bass, or is it jungle? I’m guessing somewhere on the genre’s asteroid belt. Richard Sen’s version of ‘The Witching Hour’ is the most chug-friendly track on this release so far. And I’ve definitely heard this before at some of the right places. Brilliant logo funk cauterised by hubby overtones straight from the krautrock firmament. ‘’E-Theme (Legowelt Rave Filter Remix)’ delves into Detroit for its template and while it’s at it, overlays itself with enough woozy auditory embellishments to induce a sonic hangover. There’s more than an ambient, disembodied whiff of being caught inside an hallucinatory lost frontier while listening to ‘Scattered (Yu Su’s Scattering Cross-Section)’. It’s impressionism perfectly evoking the parts other drugs cannot reach. And everything seems to coalesce perfectly at the last during Timothy Clekin’s remix of ‘The Empyrean Hour’. A wonderfully dissonant romp through a myriad of the best bits of ‘The Empyrean’ and ‘The Witching Hour’, which combine to create some sort of chugtastic offspring. Lovely stuff. 

Track Of Yesterday: Jani Ho - Track 8 (DJ Agitated Edit) (Dolly)

A piece of hard, rigid techno for you here. I heard this the other evening, running in the pouring rain and listening to Steffi’s Dekmantel Selectors Mix. This track comes from her label, Dolly’s 15th anniversary compilation and, although I have yet to listen to the other tracks, this one sounded splendid and took my mind off the soaking that I was getting. Dolly has always been a label I’ve leapt my eye on, and the size of that compilation can only mean that there must be a few more decent tunes on it. The last two sets I’ve listened to by Steffi have pointed in a hard direction, which is fine as long as its well-programmed. Fortunately she doesn’t; disappoint.

Track Of The Day: Kevin Johnson - A.T.O.N.E.M.E.N.T. (Version I) (DNH)

Deep house coupled with preachy spoken word overlays can often come across as cliched. Not this though. ‘ A.T.O.N.E.M.E.N.T.’ comes in two versions. Version 2 is a bouncier, more uptempo mix, but I prefer this one. It’s more stripped down and more dissonant which seems to have made every element denser and more defined. The spoken word is used very sparingly and lends drama when it emerges. Super deep for dayz.

Track Of The Day: Synthetic Science - Sheltered Circuits (Exploding Plastic Inevitable)

This comes from the ‘A Soul For A Soul’ EP on David Holmes’ EPI, named after Andy Warhol’s & Paul Morrisey’s pre-psychedelic rave precursor happenings which featured The Velvet Underground. It’s a piece of characteristically emotive idm, the best examples of its type being produced in The UK in the early to mid nineties. Anything with that sunrise vibe tempered by fizzing break beats and synaptic sizzles is always a sure fire winner in the analogue warmth department. I was about to put this for sale on Discogs, but have since changed my mind.

Track Of The Day: Herbie Hancock - Future Shock (Columbia)

Something mellow and funky for your Sunday afternoon. Herbie Hancock electrifies Curtis Mayfield’s classic. And, while not necessarily improving in the original, takes it in a slightly different direction by tweaking its giblets and even throwing a self-indulgent guitar solo in that doesn’t feel at all out of place. Loose and languid.

Track Of Yesterday: Master H - Magic K (Soma)

A great mixing track, and a deceptively complex one as well. It’s Geiger counter - like synth stabs overlaid by all manner of transcendental sonic embellishments. It’s value will almost certainly climb on Discogs due to the fact that it features in Jane Fitz’s 2025 Houghton set as one of the stand out tracks. It evokes other memories for me however. It was released in 2000, so was already 8 years old when I was last in Barcelona for the off-Sonar parties and spent the Saturday might of that weekend at The Macarena, a small club off Las Ramblas, at an all-nighter with Master H and Funk d’Void playing. The night was distinctive for me wandering off early, well at around 4am, and getting mugged shortly after. This happened, in spite of all the warnings and me seeing the muggers well in advance. I literally walked into it. More pick-pocketed than mugged, as there was no violence. And I have to applaud the perpetrators. They saw me coming a mile off and were very professional. Anyway, this track is elegant in its simplicity and a relic of that night, well the bit within the club’s walls. 

RA Live - Jane Fitz - Houghton, 2025

Resident Advisor · RA Live - Jane Fitz - Houghton, 2025

RA Live - Melina Serser - Houghton, 2025

Resident Advisor · RA Live - Melina Serser - Houghton, 2025

RA Live - Nicolas Lutz - Houghton, 2025

Resident Advisor · RA Live - Nicolas Lutz - Houghton, 2025

RA Live - Raresh - Houghton, 2025

 

Resident Advisor · RA Live - Raresh - Houghton, 2025

Sound Of The Suburbs - Jolly Good Eggs Pt. 3

 

    

Title: Jolly Good Eggs Pt. 3

Artist: Sound Of The suburbs

Label: N/A

Cat Number: 

Genre: House

1: The Birds & The Beats

2: Vardy’s Door

3: Flat Note (freedom for cash)

4: Can You Rock?

The latest release on what is a comeback for Sound of the Suburbs (albeit with tracks that aren’t that recent); ‘Jolly Good Eggs Pt. 3’ is classic surf London/Croydon fin de siecle messy stuff. ‘Can You Rock’ is pacey west coast tinged house, with driving, undulating percussion highlighted by gossamer light keys and woozy synth lines. ‘Flat Note (freedom for cash)’ evokes classic Chicago house. Dark beats and a spoken word sample that sounds just that little bit out of sync. It’s an effective jack track, the strength of which is that it doesn’t go overboard. ‘Vardy’s Door’ (no relation to Jamie or Rebecca), is a piece of mid-paced, stripped-down house that has elements of filter disco in it and is a great momentum builder. And the most capacious, tribal track, ‘The Birds & The Beats’ is also probably the one with the greatest floor-filling potential. Carried by multiple rimshots and an eponymously spoken word sample, it, like the rest of this release, is probably best appreciated under some railway arches somewhere, with just a strobe or two for company.

Track Of The Day: Angine de Poitrine (Tamebsz) Live . Concert Gatineau le 11 Septembre 20...

Reminds me of Captain Beefheart, which is only a good thing.

Track Of Yesterday: Basic Channel - Q1.1/Iii (Basic Channel)

Aside from the dub techno templates, the influence of which will be felt for a long time to come, Basic Channel were also responsible for gems like ‘Q1.1ii’, the likes of which blend the aforementioned sub-genre with the strain of insect menace techno pioneered and perfected by Jeff Mills. The result is an elegant slowed-down piece of machine funk that shimmers under the wright of its own friction.

Track Of The Day: Leonid - Woodwalk (Verdant)

Leonid has released on labels like Patrice Scott’s Sistrum and Steffi’s Dolly in the past, but he hasn’t done anything better than this delicious slice of deepness for Andy Green’s Verdant. A very restrained slow burner that elects interest immediately and then keeps it in a stranglehold, this is a track full of dense, trace sonic elements and is the perfect set opener.  It would appear from his Discogs page that Leonid hasn’t released anything for a few years. Let’s hope that changes soon.

Rhadoo at Waking Life 2025

 

Waking Life · Rhadoo at Waking Life 2025

Track Of The Day: Grace Jones - Private Life (Island)

Does any track better highlight Sly Dunbar's drumming?

Track Of The Day: DJ Buck - Make It Hot (Dub Mix) (Siesta)

My Siesta vinyl has been slowly ebbing away, having put most of it up for sale on Discogs around a year ago. I did hang on to a few though and, needless to say, ‘Make It Hot’ is one of them. Having heard of DJ Buck’s shuffling off his mortal coil, I feel obliged to post one of the standout tracks f early 00s West Coast tribal house. Nothing you could do to this track would make it better.

Track Of The Day: Longhair - Sistema Solar (MM Discos)

I came across this a mere five minutes ago, courtesy of Napoli-based MM Discos. ‘Sistema Solar’ is a lovely piece of space disco courtesy of Longhair, who have spread their collective mane over the likes of Permanent Vacation, Bordello a Parigi and Love On The Rocks. There’s so much to admire here, one of the prime reasons is the effortless genre-straddling. This track could find its home in so many diverse sets; its cunning blend of disco, trance underpinned by a low bpm house pace have got the lies of ALFOS written all over it. That is, in itself, a stereotype. A very positive one though.

PDA MIX 22 ♥ Optimo (Espacio)

 

PDA · PDA MIX 22 ♥ Optimo (Espacio)

Track Of The Day: JJ Cale - Cocaine (Philips)

I know as much about JJ Cale as I do of The Grateful Dead, which is to say nothing. So, imagine my surprise when I felt compelled to put ‘Cocaine’ as TOTD. Is a drug that amplifies the arsehole in one really a good subject for a song? Well, I guess it is. Having said that, after hearing this sub three minute ditty, built around a simple guitar  riff and a languid vocal, it’s difficult to believe that JJ Cale choosier to release this as a pain to said drug. Anyway, number one in New Zealand for a week.

Jane Fitz - The Gardens - Boom Festival 2025

Boom Festival · Jane Fitz - The Gardens - Boom Festival 2025

Coyote- Bodega Jan '26

 

isitbalearic..? · Coyote- Bodega Jan '26

Track Of The Day: Gudj - Vortex (Metronome)

This is the type of track that Barac pays ad infinitum, and why not? He’s made his name on the back of it and, even though some others may seek to imitate, no one else has the Romanian master’s way with a groove. It’s not unusual to listen to some of his mixes and get the impression that he plays the same stuff all the time. And, while that might be true to a certain extent, it’s not really thence. He’s a master of sonic shifting; his sets having a preternatural ability to stretch themselves according to the time and then place he plays certain tunes. Their adaptability and versatility allowing them to be in more than one place at a time. This, from Gudj on Bulgarian label Metronome is, as already said, more than typical of the stuff he plays. Minimal, trance, dub, house all rolled into one. And in the right hands, a dream machine.

Track Of Yesterday: Floppy Sounds - Ultrasong (François K Studio A Mix) (Wave)

I can remember buying this from a young Ivan Smagghe at Rough Trade Paris like it was last week. (Actually, I can remember lots of similar transactions taking place, so this one isn’t unique, but I can’t use this phrase too often, so let’s get it over and done with.) This double pack is all about François K’’s Studio A & Studio B mixes. Each go off in a slightly different direction tempo wise, and each is every bit as good as the other. It’s just a question of choosing the version that best suits the occasion. This particular mix differs from the other in view of the fact that it has a great kick and a better low end. There’s also the intermittent flange and that pervasive electric guitar strum also, around the middle, there’s a bit where the syncopation goes to uncharted regions of the diaphragm. The other mix is a bit more out there, while this one is much more linear and a better tool. Horses for courses innit. (This is the second time I've featured this rack as 'TOTD', and it's all because of a story that young Peter Hurst told me. I shall say no more.)

Track Of Yesterday: Sound Of The Suburbs - Absolute Power

Well this is a radical move. However, it’s one that’s been brewing for a while. I buy most of my music on Bandcamp nowadays.Both vinyl and digital, but mostly the latter. The former having become prohibitively expensive at times, and also taking up too much space. I’ve got enough of it to last me a lifetime anyway, and I’m in the process of shedding, so some Discogs action coming up over the next few weeks. Bandcamp is also the best place to find great producers like my good friend Pete, aka Hursty aka Sloth aka Sound Of The Suburbs. Someone who has been moving within the shadows of most of the important South London/Croydon underground house scenes for a while. And, even though he now lives in Oslo he wields his funky influence from there like a drunken viking with a sword that’s too heavy. ‘Absolute Power’ is a banger, as dem yoot wood say. A ridden typical of the genre offset with a well-researched vocal sample cut and spliced as only a beat sensei like Pete knows how. Definitely one to keep the blood flowing over the winter months and the shapes being thrown. The whole EP is linked to here I think. So dive in on the advice of this not-at-all nepotistic post.

LUKAS WIGFLEX & IVAN SMAGGHE - CAN YOU FELT IT AGAIN?

 

ivan smagghe · LUKAS WIGFLEX & IVAN SMAGGHE - CAN YOU FELT IT AGAIN?

Track Of The Day: Patrice Scott - Motions (Sunrise Dub) (Sistrum)

Another one from the genius that is Patrice Scott, this time on his own label, Sistrum. It’s a dub, which means the euphoria and transcendentalism is ramped up even more. ‘Motions (Sunrise Dub)’ definitely does what it says on the tin. It’s an incredibly impressionistic track, the light and shadow playing across  the groove in a constant embrace, until things rapidly crystallise and everything flies. Amazingly euphoric.

James Shinra - Shinra Electro Company Vol 2 (Shinra Electro Company)

 

Title: Shinra Electro Company Vol. 2

Artist: James Shinra

Label: Shinra Electro Company

Cat Number: SEC002

Genre: Electro

A1: Acid Every Day

A2: Back

B1: Blip

B2: 1310Clap

While I can’t claim to have listened to everything James Shinra has produced, ‘Acid Every Day’ does seem to be a little bit tougher than what we’re used to from him. It’s more the ‘Acperience’ side of things than ‘Eiffel’, if you get my drift. The 303 is ramped up and underpinned by a bottom heavy foundation  The floaty ‘Back’ changes the mood completely., and straddles the thin line between electro and braindance (whatever THAT is. I read about it  somewhere.) Because like house, braindance is a feeling. ‘Blip’ contrasts with what has gone before due to its stripped back, almost industrial beats. There’s an undulating feel to it, mainly due to the various sonic embellishments which dive in and out of the background and become what you chase over time. And then there’s ‘1310Clap’, the doom-laden piece of break beat science overlaid with robotic fervour. In spite of my best efforts to confuse, this is a great  release that showcases James Shinra’s talents. He makes it all sound so easy. And carving out your own niche in any place, as he has, isn’t. 

Trommel.227 - Desyn

trommel · Trommel.227 - Desyn

Domenic Cappello - Radio Buena Vida 16.01.26

 

Radio Buena Vida · Domenic Cappello - Radio Buena Vida 16.01.26

Track Of The Day: Patrice Scott - Rain Dance (Visions Inc)

‘Rain Dance’ is pure Patrice Scott and in saying that a sort of jazzy tribalism embellished by keys that sound both futuristic and classic at the same time. I went through a big Patrice Scott phase a while back while searching for meaning at the deeper end of the soul spectrum. He’s very much overlooked, slept on, under a lot of peoples’ radar. I can’t quite understand why. Everything he’s turned his hand to is class. And he’s also not the first name on the list when discussing Detroit artists. I guess everyone knows each other there as far as the scene is concerned, yet he seems to keep himself to himself. I’m probably wrong; but who cares anyway. He’s one of the best.

Track Of The Day: Jeff Mills - Step To Enchantment (Axis)

A track that sounds, according to a Youtube comment “like the fabric of the universe being torn apart”. ‘Step To Enchantment’ is just that. Firing on all frequencies it also sounds like a live eq workout. It’s hard as hell but it is multidimensional and has so much depth. There are two tracks with this name on the ‘Mecca’ EP, and this is the ‘Stringent’ version. At around the length of a classic pop single,  if there’s one techno track with perfect symmetry, then this is it.

Track Of The Day: Claude Young - Soundscape (7th City)

Hidden away on the B side of the more well-known ‘Acid Wasyh Conflict’, is this amazing piece by Claude Young which, strangely enough, has more in common with a lot of the IDM that was being produced in The UK at the time than Detroit. It’s also possible that this track was influenced by said stuff which had, in turn, been influenced by Detroit techno. Cyclical innit. Brilliant tune that could go onboard forever and has that immersive dawn-of-time ambience that draws you in and holds you.

ALFOS EBS53 - Sean Johnston (16-01-2026)

 

Nathan Dawidowicz – Scintilla (feat. Hannah Schraven)
Körperkonsum – Dream Baby Dream (Nathan Dawidowicz remix)
Shok – Uj Pa Gaz
DJ Oil – Jesus (feat. Reverend Hill)
Antaares – Desayuno
Ghost Assembly – RESIST! (Utter Kunt Mix)
Daniel Avery – I Feel You (Midnight Version)
DJ Chrysalis – Oog in oog
FBNM – You Can't Fight It (Riccio Rerub)
Automat – Am Schlachtensee (feat. Blixa Bargeld)
Zombi – Totem edits 14
EL EF OH – El ef oh (Jona’s Gleadless Valley Acid edit)
Instruments Of Rapture – Do It 2 The Max
The Oddness – Faster than you Think
Thrashing Doves – Je$u$ on the Payroll (Instrumental Version)
Talking Heads – Houses In Motion (Monk remix)
Andy Bell feat. Dot Allison – I'm in Love… (Justin Robertson Deadstock 33s remix)
GMV026 – Full Circle Sharp Water
Pigeon Steve – Gusto Galactica
Unknown – Ain't Nobody Dub (SJ Boost)
Rayko – Electricity
Hermetics – High 
Bernard Meyer
Baxter Dury – Return of the Sharp Heads (Paul Epworth 12” instrumental)
Red Snapper – Sound and Vision
Age of Chance – The Beat of NY (Niv edit)
The Slits – So Tough (Party Nails dub)
Simon Shackleton feat. The Rolling Stones – Gimme Shelter (Just a Shot Away)
Duncan Gray – Rolling and Boiling
Totem Projects – Totem edits 10 – Go
Lady Blackbird vs Crooked Man – Whatever His Name (Part 2)
Hugo – Field of Dreams (Hardway Bros Cosmic Interpolation mix)
Fine Young Cannibals – She Drives Me Crazy (The Reflex revision)
Spyder – Better Be Good to Me (Kalidasa’s Slight Touch)
Tribe of Heroes – Disco Cutie
Codenzi & Planet Caravan – Fast & Slow
Feed Me Groove – Lets Smoke Inside
Vanessa Daou – Naked Hunger (Quiet Village spoken version)
Troels Yuri – Alien Bells
Jimmy Somerville – Jimmy’s Nova (Hardway Bros remix)
Esmaeili – 911
Niv Ast – Jungle Marvin (Sean Johnston ALFOS edit)
Duncan Gray – Five Fathoms (Meat Katie remix)
Chappell & Apiento – Naked in the Orange Place
Concret & Kate Stein – Pull Up (Mike Simonetti remix)
Koenig Cylinders – Koenig Cylinders 118
Sean Johnston – Sean 118 ARP!!
New Order – True Faith (Medlar edit)
The All Seeing I & Crooked Man – Return of the Crooked Cat
dOP – Don’t Stop
SIRS – Woman (Extended mix)
Lorenzo Morresi & Maria Chiara Argirò – Acid Delirio (Cosmic take)
Mamacita & Persona aka Roman S – Problemas de amor
Verdo – Let In The Light (Fango remix)
Bar_Low – Ba-Ba-Low
Fango – North
Kenneth Bager & Anders Ponsaing – You Don't Fool Me
Aleksandir – Yamaha
The Grid – Floatation (Made By Pete extended remix)
Phil Weeks – Jack To My Groove
Four Tet – Into Dust (Still Falling)
Sunscreem – Perfect Motion (Patrice Bäumel Renaissance remix)
DJ Minx – Turn It Up
Fango – South
Crooked Man – Don't Leave Me This Way
Annie & The Caldwells – I Made It
Marmion – Schöneberg (Abe Duque remix)
Le Carousel – We're All Gonna Hurt
Radio Slave feat. Kameelah Waheed – All Rize (Revolution mix)
Tom Rowlands – We Are Nothing
Benjamin Fröhlich – Love Loop (Sound Support remix)
The Mighty Zaf & Linkwood – Yokai
Jezebell – Turn It Yes (Hardway Bros remi