“So many amazing tracks, they can’t be counted.” And if you think that sounds like a vocal sample from a Cabaret Voltaire composition, you’d be right. This one, tucked away near the end of ‘Micro- Phonies’ and given a new leash of life as an extended 12” mix (when this was released, if indeed it ever was, I don’t know.) Mallinder’s smooth but growling vocals, the synthetic, gothic instrumentation, the result of a distilled electronic Pandora’s box of sound, in which everything can be heard. Has the dance floor ever merged with the mosh pit so effectively? An EBM tour de force.
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