Track Of The Day: Fred P - Sonic Tour (Syncrophone)

 

Another journey from Fred P. No one makes deep house quite like he does. Dubby, cinematic and eminently danceable; ‘Sonic Tour’ is a great example of his style. Hypnotic, multi-layered and immersive. Wonderful mixing fodder and a great highlight. It’s the type of track that has me wondering what goes through the mind of the creator of such a piece on an everyday basis.I guess he goes to the supermarket from time to time? There’s an active transcendent brain layer that not everybody has. And for those who thing this all sounds the same, get in the sea!

Track Of Yesterday: New York Dolls - Jet Boy (Mercury Records)

 

One of the great TV rock performances, nicely rounded off by Bob Harris’ smirkingly said “mock rock’, I was alive when this was broadcast, but not kicking. That is to say my knowledge of music extended to what was on Top Of The Pops, but not much more. Even so, Bowie, Roxy Music, T-Rex and The Sweet provided some idea of what was possible. Penetrating below that superficial veneer wasn’t easy until punk came along and opened a lot of eyes. And The Old Grey Whistle Test was always shown way past my bedtime so I found out about all of this retrospectively. And they were managed by Malcolm McClaren as well. All things aside though, this is one brilliant track. The Stones’ influence is clear, if not purely stylistic, and the essence of punk ism also there, a good three years before it became a thing. Lovely stuff.

Yoyaku Inshore Session: Helena Hauff

 

Track Of The Day: Serge Gainsbourg - Melody (Philips)

 

The first track from ‘Histoire de Melody Nelson’, Serge Gainsbourg’s Magnum Opus. A very abstract, stream-of-consciousness composition on all fronts. At least that’s the impression it gives. The strings dive in and out, the bass furtively underlays it all and the guitar embellishes with electric flourishes. The total effect is a mesmerising one that condenses swinging London into a French man’s packet of ciggies. The sixties really happening in the seventies of course.

Track Of The Day: Nicholas Barnes - Sakura Tree (Lempuyang)

 

Following on from Pepe Bradock’s ‘Sakura Incident’, this is Nicholas Barnes’ contribution to cherry blossom mysticism. It’s good, uptempo dub techno. The type that throws shade but not in an intimidating or threatening way. There’s plenty of movement between darkness and light here, and it’s the type of track that was keeping me company a few hours ago when I completed a cross-country circuit in the driving snow along with around 500 other mentalists. 

Track Of The Day: The Velvet Underground - All Tomorrow's Parties (Verve)

 

Possibly the most intense, psychedelic sub three minute track in existence. So full of secret dimensions that it’s impossible to calculate then all. The funny thing is that I always thought this song went on for much longer. And it has such a medieval feel to it. You can imagine it being sung in the hallowed halls of royal castles. Proper procession music and one of the signposts of my youth.

Yoyaku Instore Sessions with Robin Ordell

 

Track Of The Day: Lakur - Concrete Love (Joule Imprint)

From the same Gallic direction that brought you Janeret, and other kindred spirits like Camelia, Lakur make the type of tranced-out, hypnotic deep house tat can elevate any set with a sense of groove and swing. It’s music to get lost in. Gossamer profound (not a new brand of condom). Some say that music lie this lacks a b it of edge, but we can allocate that to the others. Great when you’re coming up on some boss beans.

DJ Stingray 313 b2b Moodymann at Draaimolen Festival 2025

 

DRAAIMOLEN · DJ Stingray 313 b2b Moodymann at Draaimolen Festival 2025

Track Of Yesterday: Wynton Marsalis, 'Moto Perpetuo' (Niccolò Paganini)

 

While coming back from a day in London at the end of the afternoon, I was listening to Radio 3 sand this came on. Absolutely amazing. I was knackered at the time, but nothing to what Wynton Marsalis must feel every time after he plays this. “How does he breath?” Is the question I was asking myself throughout.

Track Of The Day: Abacus - We Cookin' Now (Guidance)

 

So many incredible releases on Guidance. A label that, after the prevalence of Casual and Relief, went even deeper into the Chicago sound. That’s not to say all its artists came from the windy city. Austin Bascom, aka Abacus, is from Toronto and is arguably responsible for more than one of the label’s standout releases. ‘We Cookin’ Now’ is such a track. Immediately plunging the listener into a percussive dream state, it manages to be both deep and intensely visceral at the same time. No easy feat. This is the second track I’ve featured from this EP, ‘Opinion Rated ‘R’’ , was a while back. And aI’d put them all up if it didn’t look more like promotion than good taste. I mean just the chord change alone in this track is worth shelling out for. It comes just before the 3:30 mark.

Track Of Yesterday: Pepe Bradock - Sakura Incident (Avatisme)

Pepe Bradock makes undefinable beats. Sitting somewhere in-between the con Crete and abstract, but more abstract than concrete. ‘Sakura Incident’, is one such track. Dreamlike, but not completely within form, it occupies the headspace that calibrates nostalgia while simultaneously ruminating on the shape of things to come. There are also sonic references to mid 1990s ‘French touch’ productions, specifically the high end activity; the duck-like noises/vocals, and strings (if that’s what they are). All good in a miasmic sort of way.

Dj set @ secret location in Seattle 01112025

 

marcopassarani · Dj set @ secret location in Seattle 01112025

Fear-E - Descent Into Ascension (Snapshots of a Mental State) (Posh End Music Records)

 

Title: Descent Into Ascension (Snapshots Of A Mental State)

Artist: Fear-E

Label: Posh End Music Records

Cat Number: PEMLP02

Genre: Jackin’

A1: Loopy Fiasco

A2: Doom Merchants

B1: Aces High

B2: The OK Express

C1: McCarthy

C2: Escape Room

D1: Ground Control

D2: Otherworldly

As its title suggests, this collection of tracks was recorded while Fear-E was in the throes of depression. “I just turned my phone off for a month and went all in on it. Influence-wise it’s right across the board from French house to Nitzer Ebb” And these influences are apparent immediately. ‘Loopy Fiasco’ is pure Roule and is as uplifting as can be expected, given that it travels at close to the speed of sound. That and ‘McCarthy, a tribute to the late Douglas McCarthy of Nitzer Ebb and a track full of layered insect menace, bookend three other tracks. ‘McCarthy’ sounds like prime ‘Step To Enchantment’ Mills, albeit a little tempered and is, as such, not bad at all. What lies between ranges from the heaviness of both ‘Doom Merchants’ and ‘Aces High’, to the relative airy electro of ‘The OK Express’. That said, the latter still has a lot of heft and is nothing but full-bodied. And going back to the Mills influence, and that of early Robert Hood as well, we’ve got ‘Escape Room’,and ‘Otherworldly’ which are pure Detroit mid-nineties minimalism. ‘Ground Control’ is not an outlier here, having more in common with ‘Doom Merchants’ and ‘Aces High’ than the other tunes, but it soars higher than they do as a result of some cerebral synth stabs. For Fear-E sitting in a studio rearranging his funky entrails and auditory grey matter must have been a therapeutic experience.And this is all good stuff. However, I have no idea what it says about his mental state.

Track Of The Day: Automat - Am Schlachtensee (feat. Blixa Bargeld) (Bureau B)

 

Another one culled from Sean Johnson’s most recent ESB. This one comes in a couple before the EL EF OH edit and is a percolating, teutonic monster. The very essence of next level hell. If Hieronymous Bosch set his paintings to music, then this is one possible soundtrack. It’s midnight creeper, a dystopian heavy breather. Lovely out-of-body chug from Germany.

Track of Yesterday: Julian Cope - Kolly Kibber's Birthday (Mercury)

 

Listening to this brings back all sorts of memories. Mainly those of a vast relationship, the other half of which was a big JC fan. The name comes from a character from Graham Greene’s ‘Brighton Rock’ which was in turn inspired by an English playwright. The track itself is a multi-layered piece of folk-tinged rock in which Cope portrays himself as some sort of renaissance everyman transcending normal life experiences in the process of revealing his innermost desires. Aside from the pretentious claptrap I’ve just felt compelled to write though, it’s a hypnotic excursion.