Track Of The Day: Lakur - Concrete Love (Joule Imprint)

From the same Gallic direction that brought you Janeret, and other kindred spirits like Camelia, Lakur make the type of tranced-out, hypnotic deep house tat can elevate any set with a sense of groove and swing. It’s music to get lost in. Gossamer profound (not a new brand of condom). Some say that music lie this lacks a b it of edge, but we can allocate that to the others. Great when you’re coming up on some boss beans.

DJ Stingray 313 b2b Moodymann at Draaimolen Festival 2025

 

DRAAIMOLEN · DJ Stingray 313 b2b Moodymann at Draaimolen Festival 2025

Track Of Yesterday: Wynton Marsalis, 'Moto Perpetuo' (Niccolò Paganini)

 

While coming back from a day in London at the end of the afternoon, I was listening to Radio 3 sand this came on. Absolutely amazing. I was knackered at the time, but nothing to what Wynton Marsalis must feel every time after he plays this. “How does he breath?” Is the question I was asking myself throughout.

Track Of The Day: Abacus - We Cookin' Now (Guidance)

 

So many incredible releases on Guidance. A label that, after the prevalence of Casual and Relief, went even deeper into the Chicago sound. That’s not to say all its artists came from the windy city. Austin Bascom, aka Abacus, is from Toronto and is arguably responsible for more than one of the label’s standout releases. ‘We Cookin’ Now’ is such a track. Immediately plunging the listener into a percussive dream state, it manages to be both deep and intensely visceral at the same time. No easy feat. This is the second track I’ve featured from this EP, ‘Opinion Rated ‘R’’ , was a while back. And aI’d put them all up if it didn’t look more like promotion than good taste. I mean just the chord change alone in this track is worth shelling out for. It comes just before the 3:30 mark.

Track Of Yesterday: Pepe Bradock - Sakura Incident (Avatisme)

Pepe Bradock makes undefinable beats. Sitting somewhere in-between the con Crete and abstract, but more abstract than concrete. ‘Sakura Incident’, is one such track. Dreamlike, but not completely within form, it occupies the headspace that calibrates nostalgia while simultaneously ruminating on the shape of things to come. There are also sonic references to mid 1990s ‘French touch’ productions, specifically the high end activity; the duck-like noises/vocals, and strings (if that’s what they are). All good in a miasmic sort of way.

Dj set @ secret location in Seattle 01112025

 

marcopassarani · Dj set @ secret location in Seattle 01112025

Fear-E - Descent Into Ascension (Snapshots of a Mental State) (Posh End Music Records)

 

Title: Descent Into Ascension (Snapshots Of A Mental State)

Artist: Fear-E

Label: Posh End Music Records

Cat Number: PEMLP02

Genre: Jackin’

A1: Loopy Fiasco

A2: Doom Merchants

B1: Aces High

B2: The OK Express

C1: McCarthy

C2: Escape Room

D1: Ground Control

D2: Otherworldly

As its title suggests, this collection of tracks was recorded while Fear-E was in the throes of depression. “I just turned my phone off for a month and went all in on it. Influence-wise it’s right across the board from French house to Nitzer Ebb” And these influences are apparent immediately. ‘Loopy Fiasco’ is pure Roule and is as uplifting as can be expected, given that it travels at close to the speed of sound. That and ‘McCarthy, a tribute to the late Douglas McCarthy of Nitzer Ebb and a track full of layered insect menace, bookend three other tracks. ‘McCarthy’ sounds like prime ‘Step To Enchantment’ Mills, albeit a little tempered and is, as such, not bad at all. What lies between ranges from the heaviness of both ‘Doom Merchants’ and ‘Aces High’, to the relative airy electro of ‘The OK Express’. That said, the latter still has a lot of heft and is nothing but full-bodied. And going back to the Mills influence, and that of early Robert Hood as well, we’ve got ‘Escape Room’,and ‘Otherworldly’ which are pure Detroit mid-nineties minimalism. ‘Ground Control’ is not an outlier here, having more in common with ‘Doom Merchants’ and ‘Aces High’ than the other tunes, but it soars higher than they do as a result of some cerebral synth stabs. For Fear-E sitting in a studio rearranging his funky entrails and auditory grey matter must have been a therapeutic experience.And this is all good stuff. However, I have no idea what it says about his mental state.

Track Of The Day: Automat - Am Schlachtensee (feat. Blixa Bargeld) (Bureau B)

 

Another one culled from Sean Johnson’s most recent ESB. This one comes in a couple before the EL EF OH edit and is a percolating, teutonic monster. The very essence of next level hell. If Hieronymous Bosch set his paintings to music, then this is one possible soundtrack. It’s midnight creeper, a dystopian heavy breather. Lovely out-of-body chug from Germany.

Track of Yesterday: Julian Cope - Kolly Kibber's Birthday (Mercury)

 

Listening to this brings back all sorts of memories. Mainly those of a vast relationship, the other half of which was a big JC fan. The name comes from a character from Graham Greene’s ‘Brighton Rock’ which was in turn inspired by an English playwright. The track itself is a multi-layered piece of folk-tinged rock in which Cope portrays himself as some sort of renaissance everyman transcending normal life experiences in the process of revealing his innermost desires. Aside from the pretentious claptrap I’ve just felt compelled to write though, it’s a hypnotic excursion.

Track Of The Day/ EL EF OH - el ef oh (Jona's Gleadless Valley Acid edit)

 

This is great, as heard on Sean Johnston’s most recent ALFOS ‘EBS’ Mix. LFO goes chug thanks to one of a series of versions by TELL EDITS. Nothing more to say really, except that it does the business.

Track Of Yesterday: Ollie Drummond - Thwink Tice (Brixton Row)

What I like about this is its pervasive seediness. On the surface it’s a shuffling groover, but there’s an undertow of friction and filth. I don’t know much about Ollie Drummond. However, on the strength of this, which was released at the end of last year, he’s definitely got his finger on that warehouse groove pulse and is one to watch. The chasmic sonic background is also a big plus. There’s. Nothing like getting down in a messy environment with the unsettling sound of low end sirens going off all around you.

GLOK/Timothy Clerkin - Alliance Remixed (Bytes)

 

Title: Alliance Remixed

Artist: GLOK/Timothy Clerkin

Label: Bytes

Cat Number: BYTES33

Genre: Cosmic

01: Empyrean (FROID DUB Remix)

02: AmigA (bdrmm Remix)

03: Nothing Ever (Tom Sharkett Remix)

04: Scattered (Yu Su’s Scattering Cross-Section)

05: The Witching Hour (Richard Sen Remix)

06: E-Theme (Legowelt Rave Filter Remix)

07: Nothing Ever Reprise (Xylitol Remix)

08: AmigA (Timothy Clerkin Jungle Mix)

09: The Empyrean Hour (Timothy Clerkin Mix)

Well worth the wait this. An album full of reinterpretations of 2024’s ‘Alliance’ which, while excellent, was always crying out to move in tangential directions. The FROID DUB remix of ‘Empyrean’ sounds like something the Lost ones would soundtrack their cylindrical wanderings to (Beckett innit). Magnificent 303 squelches like popping, muddy geysers. I’m taking the two ‘AmigA’ mixes together, obviously because they’re drum and bass, or are they jungle? (Paging Amol Rajan). Timothy Clerkin seems to think so. It’s much harsher than the drum and bass from bdrmm, and has a bit more vim and vigour. Both keep the chiming overlay motif, with Clerkin amplifying the chorals and bdrmm taking the sub bass to the bridge. Both great and sufficiently distinct. Tom Sharkett utilises break beats and a singular synth to support the bittersweet vocals of ‘Nothing Ever’. While the ‘Xylitol Remix’ of the same track once more dips the listener in the sheep dip of drum and bass, or is it jungle? I’m guessing somewhere on the genre’s asteroid belt. Richard Sen’s version of ‘The Witching Hour’ is the most chug-friendly track on this release so far. And I’ve definitely heard this before at some of the right places. Brilliant logo funk cauterised by hubby overtones straight from the krautrock firmament. ‘’E-Theme (Legowelt Rave Filter Remix)’ delves into Detroit for its template and while it’s at it, overlays itself with enough woozy auditory embellishments to induce a sonic hangover. There’s more than an ambient, disembodied whiff of being caught inside an hallucinatory lost frontier while listening to ‘Scattered (Yu Su’s Scattering Cross-Section)’. It’s impressionism perfectly evoking the parts other drugs cannot reach. And everything seems to coalesce perfectly at the last during Timothy Clekin’s remix of ‘The Empyrean Hour’. A wonderfully dissonant romp through a myriad of the best bits of ‘The Empyrean’ and ‘The Witching Hour’, which combine to create some sort of chugtastic offspring. Lovely stuff. 

Track Of Yesterday: Jani Ho - Track 8 (DJ Agitated Edit) (Dolly)

A piece of hard, rigid techno for you here. I heard this the other evening, running in the pouring rain and listening to Steffi’s Dekmantel Selectors Mix. This track comes from her label, Dolly’s 15th anniversary compilation and, although I have yet to listen to the other tracks, this one sounded splendid and took my mind off the soaking that I was getting. Dolly has always been a label I’ve leapt my eye on, and the size of that compilation can only mean that there must be a few more decent tunes on it. The last two sets I’ve listened to by Steffi have pointed in a hard direction, which is fine as long as its well-programmed. Fortunately she doesn’t; disappoint.

Track Of The Day: Kevin Johnson - A.T.O.N.E.M.E.N.T. (Version I) (DNH)

Deep house coupled with preachy spoken word overlays can often come across as cliched. Not this though. ‘ A.T.O.N.E.M.E.N.T.’ comes in two versions. Version 2 is a bouncier, more uptempo mix, but I prefer this one. It’s more stripped down and more dissonant which seems to have made every element denser and more defined. The spoken word is used very sparingly and lends drama when it emerges. Super deep for dayz.