Track Of The day: Scientist -Drum Song Dub (Clocktower Records)

 

Elemental dub from Scientist. The first track from ‘Scientific Dub’, one which I didn’t have. The reggae racks in Reaction Records New Brighton used to heave under the weight of Scientis albums, with their comic book covers. ‘Scientst Rids The World Of The Evil Curse Of The Vampires’ was my favourite, but I also had a lot of time for ‘Scientist Meets The Space Invaders’. ‘Scientific Dub’ drafted Augustus Pablo in on piano, as well as Aston ‘Family Man’ Barrett on guitar, and Robbie Shakespeare on bass, so has maybe a more star studded line up than some of the other dub albums. Not that I ever used to pay that much attention to detail back then.

Track Of The Day: The coastal Commission - Bring Down the Walls (Pacific Coast House Recordings)

 

Superior minimal/dubby west coast house from the turn of the century. So much good music came from that region around that time. All of the trailblazing tribal house on the likes of Siesta and Tango, and then the more purist house on this short-lived label, and others like Tweekin’. The coastal Commission was a chap called Sam Robson, whose career seems to run in parallel with the longevity of Pacific Coast House, and other splinter labels. Apparently about to get a new leash of life sometime soon. And nI guess by more purist house what I’m doing is separating the likes of this from those other labels which relied on a highly percussive, intense sound. This is almost the opposite. However, it’s not Kerri Chandler.

All Night Long at Cobalt Studios 30.01.26

 

MANFREDAS · All Night Long at Cobalt Studios 30.01.26

Track Of The Day: Starlight [Intrusion's Unreleased Tape Session]

 

This is free on Bandcamp at the moment, so there’s absolutely no excuse not to own it. Wonderful, sinister ambient dub that is fit for any occasion. Weddings, bar mitzvahs, you name it, there’s a place for it. Could this be the backdrop for a new interpretation of ‘West Side Story’ in which the aJets and The Sharks fight in slow-motion to this Beatles morass? Sort of like ‘The Matrix’ meets ‘Bugsy Malone’? What waffle.

Lewski - Rotational Drift (United Identities)

 

Title: Rotational Drift

Artist: Lewski

Label: United Identities

Cat Number: UI017

Genre: Electro

1: Rotational Drift

2: NaddD

If I’m correct, and I often am, ‘Rotational Drift’ marks something of a return to action for Lewski, not having put anything out for a few years now. Anyway, this is a double header of redoubtable quality. It’s quite fast, uptempo electro, but not straying into the excessively rapid and so preserving its funkiness. Both tracks showcase a multilayered, imaginative approach to beat pharmacy which reveals itself on continual listenings. The title track has a very appealing, soaring synth that feels raw on top of the angular beats and below the vocal stabs. ‘NaddD’ is a little bit more in control of itself, but no less powerful going for the jugular with the concave, synthetic steel bass drum balanced with a sense of the infinite relayed through a sonic sleight of hand that makes it feel like your floating in space. These tracks are way too short though. They’re an endless source of fascination.

Luxus Varta - Noise Figure (Shipwrec)

 

Title: Noise Figure

Artist: Luxus Varta

Label: Shipwrec

Cat Number: #Ship076

Genre: Electro

A1: Building Peaks

A2: Lizardous

B1: Silver Girl

B2: The Resetter

The latest release from Annecy’s finest Luxus Varta, finds him on Dutch label Shipwrec for the first time since 2017’s ‘Aquamarine Puzzle’. The world was a very different place then and, I think it’s fair to say, this release is also a little bit different from Mr Varta’s previous efforts. There’s still an underlying sense of darkness and a feeling that listening to this stuff at any other time except the winter might not be appreciating its true worth. However, the beats certainly feel tougher and the funk less frozen. This is evident from start to finish. ‘Building Peaks’ deploys urgent, asymmetric beats that feel like fully charged whip cracks. ‘Lizardous’ is a slow and sure contrast between a cascading sonic glimmer and an enveloping low-end, with of which coalesce in order to reach a state of controlled euphoria. The pull of ‘Silver Girl’ is in its dissonance. Everything initially feels chaotic and it doesn’t really settle down, but if you’re already buckled in there’s a sense of destiny. And then there’s ‘The Resetter’ which puts a final, slightly more industrial flourish on a release, the direction of which feels like a goth/b-boy sound clash.

Track Of The Day: Herbert - Thinking Of You (Phono)

 

I remember when the Herbert series, 1-4, came out. I was living in Paris and dividing a lot of my free time between commuting to various record shops. There was Rough Trade (where I spent by far the largest amount of money), and BPM in Bastille, and Salinas in Montmartre. And for whatever reason I think I bought this release in the shadow of The Sacre Couer. These releases were revolutionary for the time, anticipating minimal house/techno by a good few years, while adding a depth that, with so few tools on show, has yet to be equalled. What is most notable about these releases though is their effortless swing and natural funk. The kicks, in particular, take you to another dimension.

Track Of Yesterday: Captain Beefheart - Tropical Hot Dog Night (Virgin)

 

‘Tropical Hot Dog Night’ features on ‘Shiny Beast Bat Chain Puller’ which is the album that turned me on to Beefheart. It would be a lot cooler to say it was ‘Trout Mask Replica’, but I’m not that old. So I got into everything else in retrospect. This particular track, along with ‘When I See Mommy I Feel Like A Mummy’, where probably the two most played tracks on this album in the hip bedrooms of Wallasey in the late 70s and early 80s. What I love most about this track is it’s organised chaos. It’s a psychedelic mambo the likes of which will never be equalled. It does go a bit weird towards the end though.

Track Of The Day: Fred P - Sonic Tour (Syncrophone)

 

Another journey from Fred P. No one makes deep house quite like he does. Dubby, cinematic and eminently danceable; ‘Sonic Tour’ is a great example of his style. Hypnotic, multi-layered and immersive. Wonderful mixing fodder and a great highlight. It’s the type of track that has me wondering what goes through the mind of the creator of such a piece on an everyday basis.I guess he goes to the supermarket from time to time? There’s an active transcendent brain layer that not everybody has. And for those who thing this all sounds the same, get in the sea!

Track Of Yesterday: New York Dolls - Jet Boy (Mercury Records)

 

One of the great TV rock performances, nicely rounded off by Bob Harris’ smirkingly said “mock rock’, I was alive when this was broadcast, but not kicking. That is to say my knowledge of music extended to what was on Top Of The Pops, but not much more. Even so, Bowie, Roxy Music, T-Rex and The Sweet provided some idea of what was possible. Penetrating below that superficial veneer wasn’t easy until punk came along and opened a lot of eyes. And The Old Grey Whistle Test was always shown way past my bedtime so I found out about all of this retrospectively. And they were managed by Malcolm McClaren as well. All things aside though, this is one brilliant track. The Stones’ influence is clear, if not purely stylistic, and the essence of punk ism also there, a good three years before it became a thing. Lovely stuff.

Yoyaku Inshore Session: Helena Hauff

 

Track Of The Day: Serge Gainsbourg - Melody (Philips)

 

The first track from ‘Histoire de Melody Nelson’, Serge Gainsbourg’s Magnum Opus. A very abstract, stream-of-consciousness composition on all fronts. At least that’s the impression it gives. The strings dive in and out, the bass furtively underlays it all and the guitar embellishes with electric flourishes. The total effect is a mesmerising one that condenses swinging London into a French man’s packet of ciggies. The sixties really happening in the seventies of course.

Track Of The Day: Nicholas Barnes - Sakura Tree (Lempuyang)

 

Following on from Pepe Bradock’s ‘Sakura Incident’, this is Nicholas Barnes’ contribution to cherry blossom mysticism. It’s good, uptempo dub techno. The type that throws shade but not in an intimidating or threatening way. There’s plenty of movement between darkness and light here, and it’s the type of track that was keeping me company a few hours ago when I completed a cross-country circuit in the driving snow along with around 500 other mentalists. 

Track Of The Day: The Velvet Underground - All Tomorrow's Parties (Verve)

 

Possibly the most intense, psychedelic sub three minute track in existence. So full of secret dimensions that it’s impossible to calculate then all. The funny thing is that I always thought this song went on for much longer. And it has such a medieval feel to it. You can imagine it being sung in the hallowed halls of royal castles. Proper procession music and one of the signposts of my youth.

Yoyaku Instore Sessions with Robin Ordell