Off to Convenanza tomorrow so any remix from AW is appropriate and, although I don’t think this is one of his best, it would sound great within the confines of the chateau in Carcassone. It takes a different route to the original in that while the sound is less dense and less evocative of the landscape it sonically describes, it’s more danceable due to being infused with break beats. Not just your normal linear beaks either. There’s a pitch change shortly after the eponymous spoken word. Breaks have been subtly dominating a lot of modern electronic music recently so I guess what sets this apart are its early nineties analogue production values. It feels a lot more raw than a lot of today’s efforts. The tribal chanting that rise up in the second half of the tracks feel a little odd by today’s standards. However, they also feel very much on the spirit of the cut up. The only bit I really don’t like that much are the symphonic episodes, which feel a little over-produced by comparison. That doesn’t mean to say I won’t have my hands in the air as soon as I hear them though.
