A massive track on the 90s South London/Croydon tech house warehouse axis. Stacey Pullen was one of the premium remixers around this time, even if he didn’t do that many 9quality over quantity for sure). After Silent Phase he didn’t do that much under his own name anyway. However, what he did do is memorable. This remix interweaves at least three percussive motifs with an undulating low end synth as well as high end melodic squeaks. Sounds shite? Well it’s ace. I saw him DJ twice. Once at The Rex inn Paris, and at Space at Bar Rhumba. Amazing both times.
Cacophonous Bling
Random Ruminations On Dance Music Culture
Tuesday, March 03, 2026
Monday, March 02, 2026
Sunday, March 01, 2026
Track Of The Day- The Hacker: Fadin Away (Heinrich Mueller Remix) (Good Life)
Saturday, February 28, 2026
Track Of The Day: Chaos - Afrogermanic (UR)
‘Afrogermanic’ is definitely one of those tracks that sounds a bit better pitched up. A sort of Detroit homage to Kraftwerk innit. So many layers and so heavy. It’s a real contrast because, in spite of this, it still manages to feel floaty and airy. I guess that is all down to the swathes of ambient noise that inhabit the gaps in the groove. It’s also far too short and could do with a couple more transcendent minutes. An amazing piece of electro that sounds like nothing else.
Friday, February 27, 2026
Track Of The Day: Population One - Computer Rights (Harbour City Sorrow)
One of the most chaotic tracks I’ve heard. If music is a reflection of the mind then Terrence Dixon could possibly use some therapy. Then again, I might be talking complete bollocks. This is a meandering, drunken, sonic voyage that overspills at times, only to reign itself in. It’s an absolute bugger to mix as well. Even the sync button will find this a challenge.. The world was a different place back in 2012 when this came out on Frustrated Funk offshoot Harbour City Sorrow. Terrence Dixon followed this up with, amongst other things, the minimal series of releases on Reduction. This is anything but minimal. However, the various elements which make it up are sounds that are characteristic if those later used. Always an interesting producer and one who often slides under the radar of most.
Thursday, February 26, 2026
Track Of The Day: Unknown Artist - A2 (Primitive)
Around twenty-twenty five years ago (said in the voice of the harry Enfield character), Swag, aka Chris Duckenfield and Richard Brown, were a veritable underground hit factory, their sound founded on funk, breaks, tribal beats and hedonism. And this is a great example of their sound. Incredibly clean, bottom heavy and with a sound the ricochet’s throughout that sounds like an octopus juggling and sharpening knives. It’s definitely them, even though they don’t say it is. Primitive was their label for tools and a distillation of the style that had seen them become remixers du jour, as well as extremely accomplished headline artists. I still have almost all of their stuff and it has dated very well indeed. There’s still a place for them at the head of the table.
Wednesday, February 25, 2026
Track Of The Day: The Pop Group - Rob A Bank (Rough Trade)
One from the recesses of the mind. I played this for the first time in maybe 35 years the other day and immediately everything came rushing back. The various bedrooms of my youth and their smoke-filled ambience. Having said that, there was always a constant debate in progress within those autodidactic confines. One of those tunes made for squats. We were all anarchists back then.
Track Of Yesterday: Art Blakey & The Jazz Messengers - Mosaic (Blue Note)
This track is everything that I’m not at the moment. Energetic, effervescent, full of vim and vigour. In contrast to its vitality I am a proper wet lettuce, having laboured under the misapprehension of being alive for the past week or so. Nothing lasts forever, so that’s nice. In the meantime get this tune. It’s bursting at the seams. Typical Blakey and The Jazz Messengers. Constantly in full flow. Love the tribal interlude that starts between 4-5 minutes.
