Take kick, some handclaps, an undulating synth line, bass, flange it! Let the percussion’s intensity fluctuate and once these elements are bouncing and somehow, like two giant out of time skipping ropes being brought into an unholy alliance everything coalesces, you have a piece of minimal magic. Dan Bell and Todd Sines anticipate some of minimal’s best moves by around ten years here. A sound which was particularly amplified by the Minus stable of artists, but not improved on. This is one of those tracks which is so well produced that it is far more than the sum of its very easily-recognised parts. Play it loud and listen to it fill the room.
