You can never have too much SVEK. At least you couldn’t during the labels heyday. And I don’t believe I’ve posted this one yet, in which various members of the SVEK crew get name checked by Alexi Delano. It’s mainly percussion, a super flexible bass and some effects. The rest of the EP highlights some filter disco, which was all the rage at the time. However, it wasn’t exploited much by the label. Very clean production and a feel of claustrophobia and torrential rain make this a singular piece of work.
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