Dana Kelley had three releases as DKMA on Forensic, an unlikely destination geographically for his deep aquatic grooves, but one which showcases some of his best tracks. ‘Soul’ is as good, for example, as anything he pout out as Callisto on Guidance, and is similarly characterised by a g=hard drum sound draped with all manner of diaphanous sonic embellishment. Vocals mumble abstractly in the foreground while others emerge siren-like from the background. And the percussion. Jazzed up rimshots a foil to the Basic Channel like metronome. House doesn’t get deeper than this.
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