This is one of a handful of releases I still have on Darren Emerson’s Underwater label from around the mid nineties. It’s the B side to ‘Prometheus’ and showcases a young Steve Rachmad effortlessly doing what he does best. This isn’t as complex as many of his releases from around that time, with his output on 100% Pure being particularly high quality, as well as that on Fragile. It is, though, as good as it gets for contemporary dance floor focussed techno that isn’t loop based. There are dubby, depth-endowing overtones to it, as well as good momentum (the two don’t always sit side-by-side). And, as you would expect from Steve Rachmad, great production and clarity. Lovely stuff.
No comments:
Post a Comment