From the ‘Minimal Nation’ double pack on Axis that I discovered while leafing through the disorganised boxes in Salinas, a record shop in Montmartre in the early nineties. Tracks like ‘Museum’ defined Robert Hood’s artistic vision at the time and usher din a whole new approach to techno which was undeniably from Detroit, but darker, more introspective, funky and subtle. ‘Museum’ is probably most notable for its elastic approach to syncopation. So much is done with singular elements in this track. Less is more innit.
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