Following on from Pepe Bradock’s ‘Sakura Incident’, this is Nicholas Barnes’ contribution to cherry blossom mysticism. It’s good, uptempo dub techno. The type that throws shade but not in an intimidating or threatening way. There’s plenty of movement between darkness and light here, and it’s the type of track that was keeping me company a few hours ago when I completed a cross-country circuit in the driving snow along with around 500 other mentalists.
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