Another incredible piece of future music here. And I’ve got to say that a few of the cuts I’ve featured recently, including this one, have been lifted from 214’s most recent mix. That’s the power of including a tracklist with your set pop pickers. Everybody gets to know who made the music and then they can go out and buy it, making the artist that little bit richer, and then checking out not just the back catalogue, but future releases as well. The bass is a rumbling monster, the spoken word sample comes in for just the right amount of time, and there is a lovely feel of dissonance about the whole record, which heightens as it goes on. We’re under heavy manners with this one folks.
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