Friday, January 17, 2025

Brendon Moeller - Blue Moon (ESP Institute)

 


Title: Blue Moon

Artist: Brendon Moeller

Label: ESP Institute

Cat Number: ESP125

Genre: Meditations


A1: Deep Blue

A2: Feast

A3: Vibrations

B1: Depth Charge

B2: Ruins

B3: Signals


Dub is a fuzzy musical nether region. There are those who consider it a genre in itself. However, it’s another sonic take; something that renders something previously concrete through the somnolent looking glass. And it is Brendon Moeller’s speciality, of that there is no doubt. These 6 tracks for Lovefinger’s ESP Institute, however; although awash with the type of low key kinaesthetic triggers he is known for, have skeletons fashioned from break beats of varying intensity, which serve to blend with the pervasive atmospherics to coalesce in deep, ambient percussive workouts. Like any exercise in the art of dub, these compositions demand repeated listening in order to uncover elements missed on previous forays. Sometimes the beats are denser, sometimes they fall apart. And, although listening to the whole release end-to-end can feel like an exercise in repetition, that’s where the necessary patience to scrutinise the detail comes in handy. 

Track Of The Day: Julee Cruise - Falling (Warner Bros)

Monday, January 13, 2025

Track Of The Day: Machine Dion - New Patterns (Heras Records)

Rupert Cross-Strapped Out EP (Ransom Note)

 


Title: Strapped Out EP 

Artist:  Rupert Cross

Label: Ransom Note

Cat Number: R$N48

Genre: Electro Disco


1: Strapped Out feat. C.A.R.

2: Blue Line feat. C.A.R.

3: Pepper

4: Dreamland, Dreamland

5: Strapped Out feat. C.A.R. (Miles Vandersteen Remix)

6: Strapped Out (Instrumental)

7: Blue Line (Instrumental)

8: Strapped Out feat. C.A.R. (Miles Vandersteen Instrumental Remix)


A decidedly off beat title track sets things off. ‘Strapped Out’ seems to be at odds with itself in the sense that C.A.R.’s vocals seem to be the glue holding two shifting sonic tectonic plates. If you’re throwing shapes to this you’d better be double jointed. The Miles Vandersteen Remix is the superior track in that its easier to dance to. As well as this, there’s more depth and direction. ‘Blue Line’ comes on like a lost, uptempo cold wave classic, blending a bittersweet melody with a deadpan vocal. It’s good and needs a longer edit. ‘Pepper’ is coming together of disparate digital frequencies enjoying a crucial symbiotic relationship; while ‘Dreamland, Dreamland’ goes even further out on a limb, emphasising the dissonance, but keeping it on a tight leash. An interesting mixed bag of beats innit.