Horseplay

Local lad Johny Davies, aka Le Jockey, deserves some exposure if for nothing else than keeping the house/techno flame burning in Cambridge. Here's a link to his Horseplay Records site, where everything is free. Spread the word.

Guest Service Shalom - Roni Nachum (Fine Art)

Read my RA review of Roni Nachum's 'Guest Service Shalom' here.

Last Night's Playlist & Martyn Comp

Here's last night's playlist

Rushing To Paradise (Radio edit) - House Of House (White Label)
Returning Home - Russ Gabriel (Dieb Audio)
Fever - Jef K & Chris Carrier (Silver Network)
Kamor - Alessandro Crimi (Home Made)
Come On Over (Radio edit) - Anthony Collins feat Justus Kohncke (Freak N' Chic)
UMakeNo Sense - Freaks (Crosstown Rebels)
Closed Circus (Mark Henning remix) - Lee Jones (City Fox)
Echinodon (Isomer Transition Indosaurus) - Stfny Winter (Archipel)
Coka Zero (Ahmet Sisman remix) - Queen Atom (Serialism)
Caraboo (Mike Wall remix) - Ishome (Indeks Music)
Metaphysical Reaction - Jeff Mills (Third Ear)
Humantics (Vince Watson remix) - Sidearms (Logos)
Sea Of Tranquility - Mark Rogan (Static Recordings)
Salination Plant - Matt Chester (11th Hour)
Idle - Sclist (Frijsfo Beats)

Martyn In The Mix:


1. Om Unit - "Lightgrids" (All City)
2. Martyn - "Bridge" (3024)
3. Gil Scott-Heron - "Where did the night go" (XL Recordings)
4. Levon Vincent - "These Games" (Novel Sound)
5. Wulf N Bear - "Raptures of the Deep" (2020 Vision)
6. DJ Killer - "Pound" (4 Sure Productions)
7. Pattern Repeat - "Ofetriade Ben Klock remix" (Echocord)
8. Renaissance Man - "Aloha" (Sound Pellegrino)
9. Jeva Du - "I Zebra" (Platzhirsch Schallplatten)
10. Dudu - "African Woman Instrumental" (Choc's Pro Sound)
11. Mosca - "Nike (club edit)" (Night Slugs)
12. Roska - "I Need Love" (Tempa)

I've got two copies of Martyn's "Fabric 50" to give away, so here's the question to answer if you want a copy.

Which football team does Martyn support?

Answers marker "Martyn Comp" to corey.paul@209radio.co.uk

Please leave all contact details. The competition will be open until my next show is broadcast, 6.2.10. Good luck!

Machines Are Funky Tomorrow With Martyn Comp

On this week's show there'll be a competition as I've got two copies of the Martyn 'Fabric 50' cd to give away. I'll also be playing Vince Watson's remix of 'Humantics' by Sidearms on Macedonia's finest deep house and techno label, Logos, Mark E's remix of Roni Nachum's 'Guest Service Shalom' on Fine Art, the forthcoming 'Yeah' by Deniz Curtel on Crosstown Rebels (two Jamie Jones remixes on that one) and something off the new Queen Atom EP, 'Blu Samba' on Essential Reload (there must be a remix on that one). The final half hour will be given over to Martyn's Fabric radio mix.

Keep it locked


Machines Are Funky: 7-9pm GMT

105FM in Cambridge

209radio.co.uk globally

Tarry Not - Limacon (Thoughtless Music)

Read my RA review of Limacon's 'Tarry Not' here.

Domenic Capello For Yew!

In a similar style to the previous post, I'd like to present Domenic Capello to you fine ladies and gentlemen. If you need an intro, Domenic is, along with Harri, a long-standing resident of Subculture at The Sub Club in Glasgow. Subculture is arguably the best house night in the country and has featured anyone who is anyone in the world of deep 4/4 grooves. The last time I went there was in early 1999, to see Derrick Carter. It was great. I must go back one day . . .

There are a few mixes of Domenic's floating around on the web, but not many. This was recorded last month on three decks. Download it here.

Geddes Q & A

I sent Geddes some questions before Christmas and got the answers back a few days ago. For those of you unaware of his work, Geddes is the resident dj and promoter of London's infamous Mulletover nights. Here's a link to his Myspace page, where you can read his biography.

And here's what he had to say. (I'm far too lazy to edit, or to spell check, put in capitals where necessary, etc. This is the email I got back, rough and ready).



DJ, recording artist, record label head and party promoter. How do you divide your time and what's the priority?

that's a hard one .... it's difficult dividing my time equally between projects and last year was the most difficult so far, with the No Fit State parties I launched it was hard to concentrate on studio time and run a record label. However now we're in 2010 and the party season is out the way i will be concentrating more on my production (as i write this I'm my studio writing a bomb!!) and spending a bit more time on murmur. so far i've been lucky with the music that's been sent to me, we've got amazing music lined-up in the first quarter of this year..

How happy are you with your recorded output so far and where are you going musically?

I'm relatively happy with my output so far considering the numbers of roles and responsibilities i have, I'm not just a DJ/producer who's carefree and with all the time in the world to make music, over the last 6 years i'be been running one of the most successful underground nights in London and that has taken away time for me to concentrate on my musical interests. musically i'm not where i wont to be, i'd like to be prolific on that front and have the ability to write wicked club tunes, maybe i can already but it's a confidence thing, working with other people i find difficult and i'm always out to achieve things on my own back. my track 'the scene' did really well last year and steve bug was hammering it, just need a few more of those i guess ;-)

What does 2010 have in store for Murmur?

hmmm a lot of great music and a new label with no name murmur-? which will concentrate on the less peak time material that i come across, the first release is amazing from a young australian chap called lewie day to complete the package lee curtiss did a remix for us.

Have you thought of making an album and, if so, what form would it take?

towards the back end of last year thoughts did cross my mind about an album and whether i was capable of doing something in the foreseeable future, i mean i'd definitely like to do one it just depends on how this year ends up and my productivity in the studio pans out. i was ever to do an album i think it would be a straight up house album but now all club killers but more on a diverse route, i was really into DJ Sprinkles and Jamie Jones' albums last year. i think albums like this is what the kids want..

What's your DJ setup and why do you prefer it?

i use traktor for DJing now with time code vinyl with fadarfox controller, have for the last three years. i prefer this way to carrying records and the expensive of buying vinyl (although i still buy vinyl), there was a time when i'd spend £100 a week on wax but in todays world you just can't do that anymore, well i can't anyway. traktor is cool and so far it;s never let me down ... you reckon they'll sponsor me now ?! ;-)

Where are your favourite places to play and what constitutes a good crowd?

i don't have a favourite place to play but Robert Johnson in Frankfurt has to be one of the most memorable. a good crowd constitutes people who have some idea or relation to the records you're playing, it's nice when i crowd appreciates you it makes my experience a whole lot easier. the thing i hate most is when people are constantly asking you to play their favourite record, when that starts it really pisses me off

What motivates you?

my girlfriend, and the people around me who achieve great things just by being them

London has always had its fair share of underground parties. Did any of these inspire, or influence you when starting, Mulletover, and what does it offer that's different?

one party that influenced me was low life which is still going now and run by bill brewster, i guess he has an idea on how to run a party! mulletover is still exciting and will continue to be for as long as we do it.

I read in a past interview that you didn't have much idea regarding dubstep. Will you be checking out the Bloc room on New Year's Eve, and what do you listen to besides house and techno?

i did check out bloc briefly and they were playing techno at the time. when i'm at home i like to listen to a lot of jazz and funk. most recently a guy called Lee Fields has featured heavily on my playlist

What's special about Croatia?

the guys who run it the infamous boat parties and stuart patterson

Here's a mix by the man himself. Keep it locked.

Martyn & Magda

This month's installment in the Fabric mix series is number fifty, and as you're mostly all aware, Dutch master of the smorgesbord that is the dubstep, techno and house interface Martyn is on the ones and twos. I've had this mix for a while now and it's been on "heavy rotation" ever since. I can't say what it is about it, maybe it's track selection, maybe it's the fact it was done live (as should they all be), or maybe it's the transition between 'The Clock (Ben Klock's Timepiece)' and "We Control The Beat' that grabs you by the gonads and swings you around making you just a little light-headed in the process. In any case it's a great way for Fabric to bring up their half-century of mixes representing their Saturday nights (not to mention the fifty up next month of Fabric live. I wonder if Martyn would have been more at home there?Probably not as it happens.) This mix, as well as Magda's from November (unfairly panned by Internet forumites who probably don't think she's suitable wank material any more), have breathed new life into the series, and maybe mix cds in general.

It'll be interesting to see if Seth Troxler delivers a tour de force for BPitch, as he's behind 'Boogybytes 4' released next month. I've got my doubts as I think the medium may be too restrictive for him, but I so want to be proven wrong. Keep an eye out for 'Get Lost 4' mixed by Dyed Soundorom, forthcoming on Crosstown Rebels too.

Could 2010 mark a renaissance for the mix cd? God knows.

Tonight's Playlist

Here's the first of '10. Keep it locked.

Red Lightbulb - Leron Carson (Sound Signature)
Employee Only - Lil' Tony (Running Back)
Mister Din - Russ Gabriel (We Play House)
The Fall - Marcello Napoletano (Quintessentials)
My Blood, My Brother - Scott Ferguson (Ferris Park)
Get Up - Jef & Chris (Silver Network)
Innaspace - The Revenge (Mule Musiq)
Deep As Hell - Chris Lattner (Einmaleins)
M.Y.O. - Paul du Lac (Clone Jack For Days)
Killing Raoul With Acid - Juju & Jordash
Retune - Plasmik (Hypercolour)
VSOP (Bodycode aka Portable remix) - DOP (Eklo)
Slightly (Mike Huckaby remix) - Losoul(Playhouse)
Change - Ahmet Sisman (Dumb Unit)
Winning Ugly - Canary Fonyaine (Essential Reload)
Love For The Heads - Ation (Abucs)
Yah, Yah - Gary Beck (Figure)
Defect (Peter van Hoesen's "Twisted Spine" remix) - Ed Rush & Nico (Perc Trax)
Tokyo Farenheit - Numbercult (Numbercult)
Milk & Honey (John Daley's "Slightly Disco" remix) - Good Guy Mikesh & Filburt (Liebe Detail Spezial)

There are never any themes to my shows, as such, but this weekend I did feature some music that I'd come across legally, and completely free, on the Internet. The Scott Ferguson track is part of an album given away on Christmas Day over at Infinite State Machine, while the Numbercult track, and the whole back catalogue, is available from the artists website. The track by Canary Fontaine is one from a compilation entitled 'Essential Xmas' and given away by Cesare Marchese's (Cesare vs Disorder) Essential Reload label, the Juju & Jordash track is the other freebie. I came across the Canary and Juju on Facebook.

Seek and ye shall find, as they say.



Oh, and while we're talking about freebies, check this out too..

New Nick Craddock Mix

Direct download
http://www.nickcraddock.co.uk/mixes...he_snow_vbr.mp3

Tracks In The Snow

Tracklist
1. Daniel Stefanik 'Groth' (Statik Entertainment)
2. Santiago Salazar 'La Minoria' (Historia y Violencia)
3. Martin Schulte 'Cold Heart' (Pep Gaya Remix) (Sinergy Networks)
4. Jacksonville 'Quiet Room' (Doppler Records)
5. Moodymanc 'Omlette' (Dessous Recordings)
6. DJ Minx feat. Diviniti 'Just Make It Deep' (DJ Rork's Deep Mix) (Women On Wax)
7. Russ Gabriel 'Mister Din' (We Play House Recordings)
8. Kez YM. 'Pepe' (Yore)
9. Motor City Drum Ensemble 'Raw Cuts #4' (MCDE)
10. Session Victim 'No Friends (No Power)' (Real Soon)
11. IKE 'Docs Edit' (Philpot)
12. Kris Wadsworth 'Full Body' (NRK)
13. Dop 'Vsop (Bodycode Aka Portable Remix)' (Eklo)
14. Tevo Howard 'Out the Projects' (Beautiful Granville)
15. Martin Kemp 'After The Night' (Blunted Robots)
16. Seth Troxler 'Blackclap' (Esperanza)
17. JTC 'Through The Looking Glass' (Creme Organization)
18. Moritz Von Oswald Trio 'Pattern 1' (Honest Jon's)

It was last April that I featured Nick as a guest on my show, and linked to two of his mixes, so here's another.

Bonus question: what animal's tracks are in the photo?

Machines Are Funky Tonight

For the first show of 2010 I'll be showcasing, amongst other things, some of the great free music that's available online if you know where to look. Deep house head Scott Ferguson has just made an album available for nowt on The Infinite State Machine blog, so I'll be playing a track from that, as well as something from Essential Reload's 'Essential Xmas' freebie, and a Juju & Jordash snippet. Not to mention Plasmik's newie on Hypercolour and Ation on Abucs.

Keep it locked


Machines Are Funky: 7-9pm GMT

105FM in Cambridge

209radio.co.uk globally

It's brass monkeys outside, so what better reason to remain next to your computer or radio.

Strombooty - Billy Dalessandro (Siteholder)

Read my RA review of Billy Dalessandro's 'Strombooty' here.

Happy New Year

Keep it locked . . .

Mr Fire & Mr Ice

Well, in the pressure cooker that is my abode, I finally found the time and space to do a new mix. Next up will be my mix for Modyfier's "Process" series. I'll start digging around for stuff to put in that tomorrow. Anyone familiar with James Ellroy's "LA Quartet" will know where I nicked the title from. "Mr Fire & Mr Ice" refers to two of the principal characters in the first book of the quartet, The Black Dahlia. Mr Fire is Officer Lee Blanchard, a fast-talking, action-oriented man who loves the limelight. Mr Ice is Dwight ‘Bucky’ Bleichert, a cop who avoids confrontations unless he’s forced into action. More of an introvert, it’s only after partnering up with Lee that Bucky becomes a player to be reckoned with within the police department.

Character descriptions cut and pasted from somewhere else.

So there you have it. Don't bother with the Scarlett Johansen - starring film though. Check out the book first.

Here's the tracklist:

You - Funkineven (Eglo)
I'm KMFH Girl! - Kyle Hall (Wild Oats)
Guest Service Shalom - Roni Nachum (Fine Art)
Sense - XDB (Wave)
Party People Clap (Levon Vincent remix) - DJ Qu (Deconstruct)
No Kiss (Um Po Tech) - Alex Picone (Mixworks)
Buckle Up - Big Strick (FXHE)
Tiger, Tiger (Ekkohaus Main mix) - Jozif (Fear Of Flying)
Strombooty - Billy Dalessandro (Siteholder)
Vampirella (Motorcityweakedoutfunkdub) - Subvoice (Subvoice Electronic Music)
Equalized 03 B
Here & Now - Rozzo (Trackdown)
Goldbrokat (Donato Dozzy Techno mix) - Cio D'Or (Prologue)
All The Way Back - Horizontal Ground 03
Fables & Fairytales - N/A feat. Rosina (Crosstown Rebels)
Lautschrift - Mike Dehnert (Cone Basement Series)
Grinding - Lee Foss (Wolf & Lamb)
Geheimtipp 03
Path Of Most Resistance - Pepe Bradock (Atavisme)

Download "Mr Fire & Mr Ice" here.




Part 2

Cottam 03 A - Cottam
Alien Mutts - Tama Sumo & Prosumer (Diamonds And Pearls)
Rough Side - DJ Kaos (Clone Loft Series)
Fixed Purpose - Bas Ror (Data Leak)
Basic Necessities - Basic Soul Unit (New Kanada)
Unknown Place - Lori (Prologue)
Infodex 0001 - Roswell Return (SD)
Double-Jointed Sex Freak - Levon Vincent (Novel Sound)
Aquanile - Guti (Desolat)
The Pressure (Mr G's Bass Cultured mix) - Kasper (Bass Culture)
Dub Weapon No 1 - Fish Go Deep (Bastardo Electrico)
Above 90 (Norman Nodge remix) - Peter van Hoesen (Time To Express)
Abbott (Mike Parker remix) - Donor/Truss (Synewave)
Mouth Of Sip (Ben Klock remix) - Steve Bug (Poker Flat)
Golden Glow - Markus Homm (Highgrade Digital)
Prayer For Detroit - Kris Wadsworth (Fresh Meat)
Nice & Clean - Lemos (Cecille Numbers)
Hollywood - Inxec & Matt Tolfrey (Culprit)
A Goat On Fire In The Garden Of Eden - Jabberjaw (Spectral)
Libellules - Agoria (Infine)
Three Blind Rats - Omar S (FXHE)

Download "Mr Fire & Mr Ice Part 2" here.


Constructed, as ever, under duress, at Castle Corey, Haverhill, Suffolk, UK, on two Technics 1210s, two Pioneers CDJ200s and an Allen & Heath Xone:32.

I hope to be making the transition to full-on Serato land soonish, but won't ever be abandoning the more conventional approach.

Machines Are Funky: 26.12.09 Playlist, DJ Oslek Mix

Last night's playlist, featuring a guest mix from DJ Oslek:

Guest Service Shalom - Roni Nachum (Fine Art)
Amor - Joe Deldo et Obeno (Logos)
Don't Let The Stars Keep Us Tangled Up (Radio edit) - Cortney Tidwell (R&S)
Lost - XDB (Wave)
Forget The World - Zev feat Beckford (Wolf & Lamb)
The Other Side - Inxec & Matt Tolfrey (Culprit)
Tiger, Tiger (Ekkohaus Deep mix) - Jozif (Fear Of Flying)
Fables & Fairytales (Deniz Kurtel remix) - N/A feat Rosina (Crosstown Rebels)
Strombooty - Billy Dalessandro (Siteholder)
J. Doe - Joy Orbison (Doldrums)
Esperanto - Peveralist (Punch Drunk)
Price Tag (Appleblim & Komonazmuk remix) - Mymy & Emika (Aus)

DJ Oslek In The Mix:

Kuoyah - Grain Pulse (Dub)
Sclist - Idle (Frijsfo Beats forthcoming)
Sully - Sleazy (Frijsfo Beats)
Point B - Istocity Meter (Frijsfo Beats) / Sully - Sleazy
Lewis Hunter - Cut from the wreckage (Sclist remix) - (Frijsfo Beats forthcoming)
Martyn - Natural Selection (3024)
Sclist - Hollow (Frijsfo Beats forthcoming)
Ekelon - 7th Soul (Sully remix) - (Creative Space)
Martyn - Vancouver (2562 remix) (3024)
Sully - Jackmans Rec (Frijsfo Beats)
Timeblind - Ontological ground of being (Soot)
EDMX - Time Light Cones (Frijsfo Beats)
Kode 9 - Kingstown Dub (Hyperdub) / EDMX - Coral City (Frijsfo Beats)

Download DJ Oslek's Bedroom DJ No. 1 mix here

Machines Are Funky Tonight

As my previous show was cancelled, tonight's show was an easy one to plan. Some adjustments have been made but, for the most part, it remains unchanged.

On this week's show I welcome Frijsfo Beat's Dave Kelso, aka DJ Oslek, for a guest mix. He'll be playing during the second hour of the show. Before that I'll be playing a deep and groovy array of sounds, including Inxec & Matt Tolfrey on Culprit, Guest Service on Fine Art and N/A feat Rosina on Crosstown Rebels.

http://www.frijsfo.com/


Keep it locked.


Machines Are Funky: 7-9pm GMT

105FM in Cambridge

209radio.co.uk globally

Happy Christmas

Have a freaky Christmas. Keep it locked.

Lee Foss Interview

Well, I bumped into Lee Foss in Cambridge last month. We met at The Priory when Jamie Jones was playing. I'd recently reviewed Lee's excellent 'The Edge' for RA so, armed with that tenous means of introduction, chatted to him during his more coherent moments. He was courtesy itself and agreed to answer some questions, which I duly emailed. A very good interview has appeared in the interim, on the Teshno blog, so I didn't want to duplicate too much. Anyway, here it is.

Jamie Jones also agreed to answer some questions, he's got them but I don't know when I'm getting them back. I shall prod him presently.

Lee Foss Questions & Answers:


What's your take on London and the UK generally? Is everything really a lot smaller over here?

Hmm, I love London and I’ve really been enjoying my UK gigs. I mean there are things about the UK and Europe that I don’t love, things are definitely smaller, I don’t really prefer the food, there are things I get homesick for but at this point I’ve definitely spent enough time here over the years to feel at home in the UK.

Your music is as American, and humid, as house gets. How do you think living in a damp, cold climate will influence your output?

That’s a good question, we’ll see. The last month since I’ve been in London the weather has been terrible and I was sleeping all day and never saw the sun and that and some really tough personal times made it hard to work, but I’ve been working lately so I think it’s just something you get over and get on with. The truth is I will probably always spend a lot of time both here and L.A. I do really enjoy the sunshine and I can’t say it doesn’t help me work. I couldn’t really say if the weather would influence the mood of my tracks.

A lot of American artists say that the scene stateside is relatively non-existent. What's your experience of this and how does it compare with the UK and Europe?

It is absolutely non-existent compared to Europe. It’s a case of DIY or nothing really, and if you are throwing parties stateside booking credible music, it will always lose you money, so it's an investment in building your brand and your relationships with artists.
Certainly there are more up for it people in the UK and Europe and bigger youth cultures in the major cities and more knowledgable fans, but it’s not something that ever made me bang my head against the wall, it is what it is, and its not likely to change. England has Radio 1 and a national media, everyone sees and experiences the same thing and dance music is showcased, it is obvious you are going to get a more clued up generation of kids that in a country that is spread out into dozens of regions with regional media and virtually no exposure to dance music. America will always have a disconnection when it comes to youth culture.

Your work as Hot Natured with Jamie Jones is very much flavour of the month. Re-edits feature heavily in both your's and Jamie's sets and output. What's the difference between a remix and re-edit? And do you ever feel that what you're doing is too poppy and approaching the wrong side of cheese?

For me there is no difference between a remix or a re-edit or at least not the way it is currently being defined, edits are just a trendy way to call it to sell records in Phonica and to make it sound cooler to put them out and not have the original artist notice it's out there. I mean a re-edit in practice would just be a rearrangement of a tracks sequencing without additional production.
I don’t ever feel what I’m doing is too poppy, I have every intention of eventually producing for major label artists, who wouldn’t want to work with Jay-Z, or Santogold, or La Roux, or people that inspire you?


It's interesting that LA has suddenly become a focal point for house. Is it all Droog and the parties at The Standard, or are there other things happening?

I suppose there are other things happening, but I moved there to work with Droog and to do those parties, and my life has been focused around that scene. Certainly there are other promoters who book techno and house and do a perfectly good job of it, but Culprit is definitely building a sound and creating a brand, so for me that is the focal point of what's happening there. The fact that music is being created out of this scene that people are appreciating has got a lot more to do with the price of eggs than whether or not there were people there before us booking djs.

You're originally from Chicago, the home of house. Who did you associate with when there and did/do you have any contact with any of the scene veterans?

Hmm yeah I hung out with Mazi and Diz quite a bit, and I definitely knew Derrick and Justin Long and everyone that was still in the city from their generation. I basically did the parties I did there on my own which was probably part of the reason I left. I was getting good bookings and playing with great artists and sometimes doing my own parties but I definitely saw a cap as to what I could accomplish there and who would appreciate it. I will always have love for Chicago and it will always be my home, it made me.

Do you have any all-time favourites: albums, artists, tracks . .? And what are your influences outside music?

Albums – Jay Z – Reasonable Doubt and the Blueprint, Notorious BIG – Ready To Die and Life After Death, Nas – Illmatic, Outkast – Atliens, the Pharcyde - Labcabincalifornia

Artists – Notorious B.I.G.

Tracks – too many to begin to start to name them

I am influenced by The Wire


You're associated with Wolf & Lamb. Can you put your finger on why they're in the ascendancy? What do you have in common?

I think there are quite a few reasons Wolf + Lamb are having so much success, but I think the main reason is that Gadi is obsessed with staying ahead of the curve and probably overthinks things but the attention to detail and forward thinking a+ring and presentation to the point point of neuroticism really give the brand a distinct identity. Also the parties at the Marcy are unparalleled in the world right now, and it just adds to the fact that so much great music is being released.

For me the biggest thing I have in common with Gadi, Zev, and Deniz is work ethic. Gadi and Zev are constantly working, whether its towards the label, or setting up for a party, or touring, and Deniz is the only person I know who works as hard as Jamie and I do in the studio so I’m constantly impressed when I’m around them and see other people with ambition like mine.

Define your sound and try and explain what makes you stand out from the crowd.

I have a hard time answering questions like this, I guess bouncy percussion, rising dark basslines, moody chords, disembodied 90’s soul vocals, and 80’s funk snippets with updated production techniques. Depth mixed with funk.

I don’t hear a ton of music that I fee like playing outside of my immediate circle of friends, so I guess that the music we are making does stand out a little. As a dj I think I stand out from the crowd because so much of what I’m playing is my own, and because I’m really working hard the first time I go to new cities to make set special and connect w every crowd.

Many thanks Lee.

Fables & Fairytales - N/A Feat Rosina (Crosstown Rebels)

Read my RA review of 'Fables & Fairytales' here.

Le Jockey's Christmas Mix

Here's a link to a short mix of his own stuff by Jonny Davies, aka Le Jockey.


Tracklisting:
Oh Yeah? - Le Jockey
Deep Fried Disklet - Le Jockey and Matt McConky
Olive Oils - Le Jockey
Perfect Cadence - Le Jockey
Post Saturday Blues - Le Jockey feat. Austin Heroine
Fracaso Para Iniciar - Le Jockey
Trelawn - Le Jockey remix

I'm going to "get busy" myself today. I'll also be posting an interview that I did with Mr Lee Foss later in the week.