Friday, April 03, 2026

Track Of The Day: Sloth & Dormant - Yellow Cake (Thrive)

 


Posted as ‘Yellow Cake’ on Youtube, but as ‘Bush Life’ on a recent Instagram post on the real_tech_house account, I’m not too sure what to put. However ‘Bush Life’ on Pete’s Bandcamp comes up as a different tune. I could look for it downstairs, but would probably be incommunicado for the rest of the day. Anyways, this is a great piece of hypnotic, driving, druggy, groovy music. Everything was pitched up in those days so, in the spirit of some recent posts I’m going to say that I’d pitch it down. Not by much, but just enough to make it sound funkier and more lubricated. Another piece of magic from Mr. Hurst which has aged well.

Thursday, April 02, 2026

Kerrie - Waves Of Reverie (Cultivated Electronics)

 

Title: Waves Of Reverie PT 1

Artist: Kerrie

Label: Cultivated Electronics

Cat Number: CE 049

Genre: Electro


A1: Enter The Vortex

A2: Beware Of Monotony

B1: Waves Of Reverie

B2: Funk Fidelity


I get the “waves” element instantly. ‘Enter The Vortex’ is made up of just that. It’s a heavy, slightly fidgety piece of electro that eternally unfurls over the electronic matrix that supports it. ‘Beware Of Monotony’ is sparser but no less imposing. A vocoder intones something that I don’t quite understand, but has me craning towards my speaker in hope. The melody sounds like a flock of seagulls on acid (the birds, not the group). This one is all about the bass. The title track leans in a similar sonic direction to what has gone before, and maybe falls in between the opening two as far as weight is concerned. There’s a feeling of tempered relentlessness, something which is further emphasised on ‘Funk Fidelity’, whose abrasive beats and rawness round off this release in style. It’s no holds barred stuff this, the type of electro that reimagines the genre squeezing into that techno nether region and not escaping.

V/A - Minacore Vol. 1 (Mina)

 


Title: Minacore Vol. 1

Artist: Various

Label: MIna

Cat Number: MINA001

Genre: Beats


1: Phoebe - Swamp Head

2: Violet - Early Shift

3: BLEID - 8AM PM

4: marum - Nothing Gold Can Stay


It’s a mixed bag this; ranging from the acid-tinged stomp of ‘Swamp Head’ to the beatless 1970s-tinged electronica of ‘Nothing Gold Can Stay’. In between ‘Early Shift’ gives us drum and bass with some interesting tempo switches and ‘8AM PM’ invokes tribal abandon through layers of percussion. If we’re picking faves, as would be the case on such a release where difference is such a calling card, ‘Swamp Head’ takes the plaudits, with its 303 infused chug. However, each tune is an exercise in shape throwing tenderisation, from the most pummelling (‘8AM PM’), to the lightest of palpitations (‘Nothing Gold Can Stay’). And ‘Early Shift’ being the most dynamic.

Intergalactic Gary at MITHA

 

Track Of The Day: Joy Division - Disorder (Factory)

 


The opening track from one of the best albums ever released, and one I remember buying very clearly., I was with my dad and brother on the way down to, or back from a holiday. He had recently left my mum and was showing some sort of paternal duty by taking us on a holiday to Seaford on the south coast. We stopped in London and I went to HMV at the tTottenham Court Rd end of Oxford Street. ‘Unknown Pleasures’ had just been released and was all you could see when entering the shop. Factory definitely had their marketing dept. On full alert with it. Anyway I think it cost £2.99 at the time and I remember thinking that it, along with ‘Electricity’ by Orchestral Manoeuvres In The Dark both had very tactile sleeves. ‘Disorder’ is such an incredible opening track. Curtis’ lyrics are amazing and sonically it takes you to a place that most bands of that time weren’t capable of, or hadn’t conceived. You can feel the way things were going to evolve well before New Order started. Every element is perfect.

Wednesday, April 01, 2026

Track Of The Day: DJ Ali - In The Day (The Leaf Label)

 


Definitely a b anger this one. DJ Ali came up with some quite original tunes when tribal west coast house was at it’s peak. However, most of those he’ll be remembered for were vocal led by Tim Fuller. ‘In The Day’ is a more functional piece in that respect. However, there is a lot more to it than meets the ear. It drives along relentlessly, powered by level upon level of percussive bombast, all of which is topped off by the most subtle use of the 303 which is, as far as I’m concerned, it’s hallmark.